Experience

• 

  Sky New Zealand

  • New Zealand
  • Entertainment Providers
  • 700 & Above Employee

  • Creative Producer

    • Sep 2018 - Present

  • Junior Sports Promotions Producer

    • Apr 2015 - Sep 2018

    Produce SKY Sport Promos, which broadcast on all SKY TV channels. This is short form content production including shooting or sourcing footage, viewing content, scripting, editing and post-production, including audio mixing and graphics. Provide briefs for external graphics companies. Additionally identifying key players, shots and music ensuring content is relevant. Must always have a great eye for detail.Taking feedback to ensure promos are going to maintain our quality brand in all aspects. Present my promos for on air approval, reworking the promo until it’s broadcast ready. Working under deadlines and within time frames ensuring content is QC passed prior to broadcast.Edit promos using Final Cut Pro.Maintain local and international contacts with an effective working relationship to obtain footage and athlete participation details.Continue positive relationships within my direct team, and a positive working relationship with external contractors too.Export content to different formats, specifically social media versions. Continually challenging the ‘expected’ sport promo content, coming up with new concepts and experimenting often.

• 

  Warner Bros. Entertainment Group of Companies

  • United States
  • Entertainment Providers
  • 700 & Above Employee

  • Promotion Versioning - FooTV & Living Channel

    • Jun 2014 - Apr 2015

    [Formerly Eyeworks]Sourced footage off tape via Digibeta and hard drives. Version them all individually and ensure all promos are delivered prior to broadcast date.Managed the status of audio production against allocations at different stages.Communicated with audio editing company Suite16 to ensure mixes are sent away and received on time for broadcast.Backed up all footage in correct settings and additionally onto a second drive. Content is archived and the documents assigned to the drive to be updated constantly.Maintained quality and consistency by ensuring text size, sponsors, audio, fonts, logos, duration, end pack colour, layout, kerning, lead, etc remain in line with each channels brand guidelines. Liaised with Promotions Coordinator regarding late promos, change of dates, quality of promos prior to viewings etc.Delivered promos for FoodTV, Living Channel and Country TV to On Air Control in required broadcast settings (e.g. 422 colour filters, correct broadcast audio decibels etc). Additional tasks involved the making and exporting of Living Channel events promo, as well as FoodTV and Living Channel content menus.Co-edit interstitials/fillers.

  • Promotion Scheduling

    • Apr 2014 - Jun 2014

    [Formerly Eyeworks] Worked closely with promotion schedulers to prepare and complete broadcast schedules.Assisted in the writing of Electronic Programme Guide synopses. Wrote concise synopses, while maintaining creativity with grammatical integrity.

• 

  Screentime

  • Auckland, New Zealand

  • Police Ten 7 - Camera Assistant/Story Info Collection

    • Nov 2013 - Mar 2014
    • Auckland, New Zealand

    In this role I shadowed a section of the local police force nationwide to assist with filming and curating the story behind each story on Police Ten7, New Zealand.Noted all details from the beginning of the ‘job’ until the arrest. Liaised with police officers in regards to criminal’s details and convictions.Responsible for gathering consent from the public at crime scenes to ensure footage can be televised.Interpreting each situation and working around officers to ensure my timing and approach is acceptable.Trusted with the possession of a police radio for the duration of each shift.

• 

  NZME

  • Auckland, New Zealand

  • Marketing And Promotions Assistant

    • May 2013 - Mar 2014
    • Auckland, New Zealand

    ‘Road Runner’ made responsible for driving company vehicles to events, setting up promotions & engaging with the general public.Worked at maintaining and engaging with a female skewed audience aged 30-49 years.