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Daniel Roberts is a seasoned visual effects professional with extensive experience in pre-production, production, and post-supervision. He has worked on various projects, including DOCTOR WHO S14, HOW TO DATE BILLY WALSH, and THE WITCHER: BLOOD ORIGIN. Daniel holds a Master's degree in 3D Computer Animation from the University of Wales Trinity Saint David.

Credentials

  • IPAF (Powered Access)
    International Powered Access Federation (IPAF)
    Feb, 2019
    - Apr, 2026

Experience

  • Bad Wolf
    • Cardiff, Wales, United Kingdom
    • DOCTOR WHO S14 - VFX On-Set Supervisor
      • May 2022 - Aug 2023
      • Cardiff, Wales, United Kingdom

    • HOW TO DATE BILLY WALSH - Visual Effects Supervisor
      • Jul 2022 - Mar 2023

      Pre-production / Production / Post Supervision (250 shots) & VFX Artist

  • Netflix
    • London, England, United Kingdom
    • THE WITCHER: BLOOD ORIGIN - VFX On-Set Supervisor
      • Apr 2022 - Apr 2022
      • London, England, United Kingdom

      (Additional Photography)

  • The Walt Disney Company
    • London, England, United Kingdom
    • GREAT EXPECTATIONS - Visual Effects Supervisor
      • Jan 2022 - Apr 2022
      • London, England, United Kingdom

  • Amazon Studios
    • Edinburgh, Scotland, United Kingdom
    • ANANSI BOYS - VFX On-Set Supervisor
      • Oct 2021 - Jan 2022
      • Edinburgh, Scotland, United Kingdom

  • HBO
    • Cardiff, Wales, United Kingdom
    • HIS DARK MATERIALS - Lead Data Wrangler
      • Aug 2021 - Oct 2021
      • Cardiff, Wales, United Kingdom

    • THE RIG - VFX On-Set Supervisor
      • Mar 2021 - Aug 2021

      Director: John StricklandVFX Supervisor: Steph CorenVFX Producer: Mark WellbandVFX Production Manager: Jimmy Knowles

    • BRITANNIA S3 - Supervising Lead Data Wrangler
      • Feb 2020 - Feb 2021

      VFX Data Wrangler / Additional on-set supervisorDirectors: Ben Gregor, Joasia Goldyn, Mackenzie CrookVFX Supervisors: Richard Reed, Ross Wilkinson, Andy ScraseVFX Producer: Gin Godden

    • THE CROWN S4 - Lead Data Wrangler
      • Sep 2019 - Aug 2020

      VFX Lead Data WranglerDirector: Benjamin Caron, Paul Whittington, Julian Jarrold, Jessica HobbsVFX Supervisor: Ben Turner, Garrett Honn, Jorge Cañada EscorihuelaVFX Producer: Reece Ewing

  • HBO
    • Leavesden
    • AVENUE 5 - Lead Data Wrangler
      • Jan 2019 - Sep 2019
      • Leavesden

      VFX Lead Data WranglerDirector: Armando Iannucci, Natalie Bailey, Peter Fellows, Annie Griffin, Becky Martin, David Schneider, William Stefan SmithVFX Supervising Producer: Simon Frame

  • DR VFX LTD
    • Watford, England, United Kingdom
    • DR VFX - Lidar scanning
      • Aug 2014 - Aug 2018
      • Watford, England, United Kingdom

  • Baseblack
    • London, United Kingdom
    • BASEBLACK - 3D Generalist
      • Feb 2014 - Jul 2014
      • London, United Kingdom

  • MARV Films Limited
    • Kingsman: The Secret Service (2014)
    • KINGSMAN: THE SECRET SERVICE - VFX Data Wrangler
      • Sep 2013 - Jan 2014
      • Kingsman: The Secret Service (2014)

      VFX Data WranglerDirector: Matthew VaughnVFX Supervisor: Steve BeggVFX Producer: Stephen Elson

  • BBC Studios
    • Tonto Film & Television
    • DA VINCI'S DEMONS - VFX Data Wrangler
      • May 2012 - Apr 2013
      • Tonto Film & Television

      VFX Data WranglerDirector: David S. GoyerVFX Supervising: Kevin BlankCG Supervisor: Oliver ArnoldVFX Producer: Simon Frame2013 Emmy Nominee for Outstanding Special Visual Effects in a Supporting Role

    • DARKEST DAY - Roto Artist/Compositor
      • Feb 2012 - Mar 2012

      2D Roto clean-up (Darkest Day) Experimental 3D for short film pilot

Education

  • 2011 - 2012
    University of Wales Trinity Saint David
    Master's degree, 3D Computer Animation
  • 2008 - 2011
    University of Wales Trinity Saint David
    Bachelor's degree, 3D Computer Animation

Suggested Services

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Industry Focus. “Media Production”

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