Experience

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  Working Title

  • London, United Kingdom

  • The Luminaries

    • Oct 2019 - Dec 2019
    • London, United Kingdom

    Editor on final block of 'The Luminairies', Working Title's mini series on BBC Two.

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  LA Productions

  • Liverpool, United Kingdom

  • Editor

    • Oct 2018 - Apr 2019
    • Liverpool, United Kingdom

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  Fox Searchlight Pictures

  • Helsinki Area, Finland

  • Assistant Editor

    • Oct 2017 - Aug 2018
    • Helsinki Area, Finland

    Working on 'Tolkien' for Fox Searchlight in Liverpool, Helsinki and London.

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  Carnival Film & Television Limited

  • London, United Kingdom

  • Assistant Editor

    • May 2017 - Oct 2017
    • London, United Kingdom

    Working on Jamestown - 2

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  LA Productions

  • Editor

    • Apr 2017 - May 2017

    Editor at LA Productions for Moving On

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  Seven Bucks Productions

  • London, United Kingdom

  • 1st Assistant / Archive Editor

    • Jan 2017 - Apr 2017
    • London, United Kingdom

    -I was required to work closely with the Director to mock up cuts ahead of filming. -I had to research and hunt down clips from pre-existing films and create the storyline of the various montages for the edit, working with the director on his shot list and requirements for these sequences and upload the cuts to a private link nightly for him to review and discuss for the following day’s re-cuts. -Once shooting commenced in February I was required to bring in rushes for our assembly editor and letdown temp VFX as well as planning a sizzle reel.

• 

  Little Island Productions

  • London, United Kingdom

  • Assistant Editor

    • Feb 2017 - Feb 2017
    • London, United Kingdom

    Working on Snatch TV Series...-I was required to oversee the final locks of two episodes, which included working under 3 editors aiding with temporary VFX, music & SFX.-I had to keep track of previous documents on ADR, VFX, Music cues and turnover to online and grade. As well as cutting teaser’s for the episodes.

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  Carnival Film & Television Limited

  • London, United Kingdom

  • 1st Assistant Editor

    • Jun 2016 - Feb 2017
    • London, United Kingdom

    - I would have daily rushes across 5 blocks of a 10 part-series. I worked closely underneath 5different editors/directors, labelling and managing all footage and assembles, fine cuts ontoEncodi.• I was required to do temp track laying, temp VFX with After Effects, sourcing SFX from my ownpersonal SFX library and using my library music and stock footage contacts for suggestedshots for production.• I was asked by the Producer to cut a Sizzle Reel for MIPCOM, it was after impressing them withmy cutting skills that I was asked to do all episode recaps and ‘next times’ for the entire series.As well as editing a 2nd reel for the Wrap Party.• I was turning over all 10 episodes for online, grade, audio mixing, music composing and visualeffects as well as making multiple documents on all VFX, Online, ADR & Stock Footage notesfor each episode.• My final task was cutting together a piece for SKY on Demand, a conversation between StanLee and James Nesbitt, the piece would be additional promotional content for the show.

• 

  LA Productions

  • Assistant Editor

    • Jun 2014 - Jan 2016

    Working as the Assistant Editoron 'Moving On' (BBC, 2014) and on 'Close to the Enemy' (2017)'Moving On'My job entailed collecting footage and then making a back-up copy of the footage on an LTO. I would log and prep scenes in the appropriate scene bins in AVID. I would then export the assembled cut and upload it online for viewings.My other jobs during post-production included exporting casting videos for my producer, clearing music and tape tests.'Close to the Enemy'The shooting took place for four months in Liverpool, I was responsible for collecting footage and returning to my base to log footage into bins in AVID. I’d export a H.264 of Dailies and upload to a cloud platform (Aframe & DAX Cloud) and distribute the link for dailies. I would also, on some occasions, be requested to sit with the director of an evening after filming and take him through the dailies footage.I was then brought down to London for six months, where my tasks consisted of VFX work in AVID, laid down temp SFX and music tracks. I organised screenings with my Post-Producer and would liaise with the Production office daily.I was asked by my editor to do a first cut of episodic recaps and previews, I was on call to export a variety of aaf, edl and qt’s for ADR, online and our composer as well as liaising with our VFX team keeping track of all VFX shots required throughout and then turning over for online.

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  Jack-All Productions

  • Editor

    • Jul 2013 - Jun 2015

    I was self-appointed the main editor, editing corporate videos. Clients included: The Beatles Story, National Theatre, ATG Tickets, Liverpool City Council, Liverpool Football Club College, Red Touch Media, Royal Court Theatre and others.Most post work was done on FCPX, I would often use After Effects and Illustrator for design work and occasionally using Da Vinci Resolve Lite to grade and Cinema 4D for basic graphics.I would often be sat in the office with the client directing me with any editing.

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  Lime Pictures

  • Production Assistant

    • Sep 2010 - Nov 2011

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  Jackson Video

  • Editor

    • Mar 2006 - Feb 2008

    • I was self-appointed the main editor, editing corporate videos. Clients included: Mercedes-Benz, The Beatles Story, National Theatre, ATG Tickets, Liverpool City Council and others.• Most post work was done on FCPX, After Effects, Illustrator, Resolve & Cinema 4D.