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5.0

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Mariko Tosti

Tim was a great asset in my team of Lookdev in Weta. He has already a good understanding about the production general workflow, and is flexible to adapt himself with the unique pipeline of the facility. He is good at team building,and always open to support everyone. He is also extremely patient to be the front of the team and protect his team members when necessary, it was amazing to see he is always very calm even at a very stressful time. His communication is very solid and sophisticated. He knows what to say and how and when, and he is very careful. Tim was with us for 2 years, first starting as a Lookdev production manager until he promoted to Texture department manager. Tim has no problem to manage any scale of projects; from a large scale of shows to multiple small to mid scale of shows as a department production manager. About 6 months before he left Weta, he promoted to Texture department manager, spending more time into resource management, forecast, crew management including feedback and contract while he was still busy of finishing one project. It was quite sad to see him leaving us as I believed he would be a great department manager if he could stay with us longer. Last but not least, on top of all above, Tim is a very nice person, warm, fun, and funny. I truely enjoyed working with Tim.

Laetitia Bricout

I was Tim's client at Gameloft and we worked on several video projects with his team. It was a pleasure to discuss our projects with him, Tim is always proactive and communicates clearly with his clients. He managed to deliver high quality projects on time, despite technical challenges and few resources. Tim is very professional and helpful, even when the pressure is on!

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Credentials

  • Lean Six Sigma Green Belt Certification
    McMaster University
    May, 2020
    - Sep, 2024
  • Security Clearance Holder (SCH)
    Health Canada | Santé Canada
    Aug, 2019
    - Sep, 2024
  • Emergency First Aid CPR A + AED
    St. John Ambulance Canada | Ambulance Saint-Jean

Experience

    • Canada
    • Media Production
    • 1 - 100 Employee
    • Post Production Supervisor (Freelance)
      • Nov 2021 - Present

      - All Star Shore, Season 2 MTV / Paramount + Executive Producer: Antonia Mattia - Ex On The Beach, Season 6 MTV / Paramount + Executive Producer: Keith Burke Executive Producer: LisaMarie "LM" Tobin - Are You The One, Season 9 MTV / Paramount + Executive Producer: Noah Moskin - All Star Shore, Season 1 MTV / Paramount + Executive Producer: Scott Jeffress Executive Producer: Antonia Mattia - All Star Shore, Season 2 MTV / Paramount + Executive Producer: Antonia Mattia - Ex On The Beach, Season 6 MTV / Paramount + Executive Producer: Keith Burke Executive Producer: LisaMarie "LM" Tobin - Are You The One, Season 9 MTV / Paramount + Executive Producer: Noah Moskin - All Star Shore, Season 1 MTV / Paramount + Executive Producer: Scott Jeffress Executive Producer: Antonia Mattia

    • Canada
    • Medical Practices
    • 1 - 100 Employee
    • General Manager, Aleafia Farms
      • Sep 2018 - Sep 2021

      - Lead start-up operations for Aleafia Grimsby’s 160,000sq’ Greenhouse and Port Perry’s 86 acre outdoor production sites. - Oversaw budget management including capital investments, production, labour, maintenance and repairs, and third party contracts. - Evaluated monthly metrics and adjusted activities accordingly to meet or exceed performance expectations. - Recruitment for key roles across all departments; cultivation, quality control, facility maintenance, inventory, and production. - Successfully lead the transition to a fully operational state achieving KPI’s on flower potency, yield, and cost per gram. - Worked closely with department management teams to identify gaps in SOP’s, resources, tools and equipment.

    • New Zealand
    • Entertainment Providers
    • 300 - 400 Employee
    • Department Manager, Textures
      • Apr 2017 - Apr 2018

      • Oversee department schedule and forecast resource requirements with VFX Producer, HOD & Show Production.• Supervising a team of the most talented texture artists on the planet. Ensuring they understand the goals and deadlines for assets, shots, sequences and any R&D projects required on a per show basis.• Ensure weekly targets are in place and adhered to for all shows.• Oversee department recruitment strategy – identify candidates with HoD and key leads, establishing hiring windows and targeting candidates within that timeframe. • Working closely with HR in the management of artist contract renewals, including feedback sessions and contract extension negotiations.

    • LookDev Production Manager
      • Apr 2016 - Apr 2018

      • Managing the entirety of the show within the Look Development realm.• Ensuring a comprehensive department schedule is created and considers pipeline dependencies and downstream shot deadlines. Projects Include:• Valerian and the City of a Thousand Planets• Game of Thrones: Beyond The Wall (S7 Ep.6)• Avengers: Infinity Wars• Rampage

    • France
    • Computer Games
    • 700 & Above Employee
    • Production Manager
      • Mar 2015 - Oct 2015

      My role as the Production Manager at Gameloft is to produce videos to compliment the mobile game titles under development in the Asia Pacific region. The media we produce include TV Spots, development diaries and in game cinematics. We recruited a team of twelve including animators, motion artists, 3D/VFX artists, and storyboard artists. Managing the never ending challenge of balancing creative feedback, quality, and the inherent deadline constraints that come with the gaming industry on a daily basis. Keeping the culture of our studio strong and positive is always a top priority.

    • Broadcast Media Production and Distribution
    • 200 - 300 Employee
    • Post Production Manager, EPI.
      • Mar 2008 - Mar 2015

      EPI is the main production arm of Discovery Channel Canada. We specialize in HD blue chip documentaries.Managed all aspects of Post Production from principle photography to final deliverables.Worked closely with sales to vette contracts (materials) and facilitate international sales orders worldwide.

    • Post Production Coordinator, EPI
      • Apr 2007 - Mar 2008

    • Project Manager
      • Jan 2002 - Mar 2007

      Primary post contact to feature film and television production clientele, facilitating everything from front end dailies to SD/HD/2K DI/Film/TV Mastering.Highlights include tons of swag, countless invitations to wrap and film festival parties, and fostering excellent relationships with industry peers.

    • Telecine Synch Operator
      • Jan 2000 - Jan 2002

      Dailies and feature length film to tape transfers. Responsibilities included operating "TLC" editing software, synching audio to film and recording to tape, and keeping a sharp eye out for any film negative related impairments (exposure / scratches / dirt, etc).Highlights included working countless weekend night shifts to keep up with "Driven", which shot more film than any other movie in Toronto at that time. Was later described by Ebert & Roeper as "the worst car film ever made, and a terrible depiction of auto racing". Nonetheless, an invaluable learning experience on the editorial process.

    • Projectionist
      • Feb 1998 - Jan 2000

      Screened feature film Print + MAG / DA-88 dailies, A/B check prints and film festival related shows. Responsible for lightning quick reel changes, spotting translucent change over cues, pristine focus and of course keeping editors, DP's and colour timers happy. Highlights include Mariah Carey kicking open the door to my booth, having a glass of wine with Sean Connery, meeting Chris Rock, J-Lo, Catherine Zeta Jones, and the list goes on...

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