Ryan Gaffney

Creative Executive at Relish
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Contact Information
us****@****om
(386) 825-5501
Location
UK
Languages
  • English Native or bilingual proficiency
  • Spanish Elementary proficiency

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Bio

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Credentials

  • Duolingo Spanish Fluency: Intermediate (Estimated)
    Duolingo
    Jan, 2016
    - Nov, 2024
  • Bachelours of Art (Honours) in Video and Film
    Dundalk Institute of Technology
    Jun, 2014
    - Nov, 2024

Experience

    • United Kingdom
    • Market Research
    • 1 - 100 Employee
    • Creative Executive
      • Feb 2020 - Present

      -Graphic Design -Photography -Video Editing -Motion Graphics -Social Media -Graphic Design -Photography -Video Editing -Motion Graphics -Social Media

    • Freelance Filmmaker
      • Aug 2014 - Present

      Everything from production to editing, I work for clients on a private, smallscale basis. My most recent, large project was "The Light Above The Lake" a short, surreal sci-fi horror about what happens when you see a UFO and get a knock on your door...

    • Graphic Designer
      • Sep 2012 - Present

      I work for private clients, performing tasks ranging from illustration, logo design and branding, poster design, photo manipulation, etc. My most recent clients were a start-up renewable energy education company, ATS security, White Mountain water and Candlelit Tales storytelling, as well as numerous private clients.

    • United Kingdom
    • Restaurants
    • 1 - 100 Employee
    • Content Developer
      • Jul 2019 - Nov 2019

      -Graphic Design -Photography -Video Editing -Motion Graphics -Social Media -Graphic Design -Photography -Video Editing -Motion Graphics -Social Media

    • Ireland
    • Entertainment Providers
    • Writer
      • Jun 2015 - May 2018

      I review or comment on games, new and old in an insightful, critical manner. My reviews tend to be longer than most, burgeoning on essay-length critiques. It's my opinion that the games industry needs more of this style of commentary and curation in order to progress as an artistic medium. Dissatisfied with the majority of dialogue around me, I've naturally filled the void myself. I review or comment on games, new and old in an insightful, critical manner. My reviews tend to be longer than most, burgeoning on essay-length critiques. It's my opinion that the games industry needs more of this style of commentary and curation in order to progress as an artistic medium. Dissatisfied with the majority of dialogue around me, I've naturally filled the void myself.

    • Germany
    • Movies, Videos, and Sound
    • 100 - 200 Employee
    • A Dangerous Fortune- Art Department Intern
      • Oct 2014 - Oct 2014

      Short term art department intern. Mainly constructed props and set dressings for a Victorian-era drama centred around a bank. A German-Irish co-production, it was filmed on location around Dublin and the surrounding area in Autumn and Winter in 2014. Short term art department intern. Mainly constructed props and set dressings for a Victorian-era drama centred around a bank. A German-Irish co-production, it was filmed on location around Dublin and the surrounding area in Autumn and Winter in 2014.

    • Ireland
    • Media Production
    • 1 - 100 Employee
    • Production Assistant
      • Nov 2013 - Dec 2013

      Primarily helped the production of Beyond Limits: The Next Generation for Setanta Sports, as well as a number of radio shows being worked on for RTÉ at the time. Primarily helped the production of Beyond Limits: The Next Generation for Setanta Sports, as well as a number of radio shows being worked on for RTÉ at the time.

    • United Kingdom
    • Broadcast Media Production and Distribution
    • 100 - 200 Employee
    • Ripper Street season 2- Art Department Intern
      • Jul 2013 - Jul 2013

      Constructed props and set dressings for season 2 of BBC's "Ripper Street". Got to spend a lot of time on-set, talking with the crew on off-times and taking in how things are run on large scale productions, on top of the odd small job from department to department. My primary job was constructing dressings for a post-office set, and signage for the grimy streets of Victorian Whitechapel. Constructed props and set dressings for season 2 of BBC's "Ripper Street". Got to spend a lot of time on-set, talking with the crew on off-times and taking in how things are run on large scale productions, on top of the odd small job from department to department. My primary job was constructing dressings for a post-office set, and signage for the grimy streets of Victorian Whitechapel.

Education

  • Dundalk Institute of Technology
    Bachelor of Arts (B.A.), Video & Film
    2009 - 2014
  • O'Fiaich Instituite of Further Education
    FETAC, Graphic Design
    2008 - 2009

Community

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