Rajika Puri

at World Music Institute
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Contact Information
us****@****om
(386) 825-5501
Location
New York, New York, United States, US
Languages
  • Spanish Full professional proficiency
  • French Professional working proficiency
  • Italian Limited working proficiency
  • German Limited working proficiency
  • Hindi Professional working proficiency
  • Greek Elementary proficiency

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Experience

    • United States
    • Performing Arts
    • 1 - 100 Employee
      • Jul 2011 - Present

      • Mar 2011 - Jan 2013

      Helping steer this amazing institution that first brought 'world music' to New York and the US.

    • Artistic Director/choreographer
      • Apr 2005 - Present

      Producer of dance-theatre evenings, including choreographed dances, of narrated & sung dances which tell stories from mythology - Indian but also Greek/Christian. Producer of dance-theatre evenings, including choreographed dances, of narrated & sung dances which tell stories from mythology - Indian but also Greek/Christian.

    • Actor
      • 1989 - Present

      Mira Nair" MISSISSIPI MASALA; Dev Benegal's SPLIT WIDE OPEN; Danny Leiner's THE GREAT NEW WONDERFUL; and several short films. Mira Nair" MISSISSIPI MASALA; Dev Benegal's SPLIT WIDE OPEN; Danny Leiner's THE GREAT NEW WONDERFUL; and several short films.

    • Musicians
    • 1 - 100 Employee
    • Actor
      • Jun 1986 - Present

      Cast by Julie Taymor as 'Narrator' who becomes goddess 'Kali' in Lincoln Center theater's production of THE TRANSPOSED HEADS, I played many 'classic' roles: 'a Bacchante' in the Guthrie BACCHAE, 'Ayah' in Classic Stage Company's PHAEDRA BRITANNICA, until I developed a form of danced story-telling of my own. Still do the odd play-reading, but also write scripts of my own. Cast by Julie Taymor as 'Narrator' who becomes goddess 'Kali' in Lincoln Center theater's production of THE TRANSPOSED HEADS, I played many 'classic' roles: 'a Bacchante' in the Guthrie BACCHAE, 'Ayah' in Classic Stage Company's PHAEDRA BRITANNICA, until I developed a form of danced story-telling of my own. Still do the odd play-reading, but also write scripts of my own.

    • Co-Curator IAAC's Erasing Borders Festival of Indian Dance
      • Mar 2008 - Aug 2017

      A three-day festival of a range of Indian dances: *First day outdoors (& FREE) at Battery Dance Co's DOWNTOWN DANCE Festival, * Next 2 days indoors at leading dance theaters in New York (Alvin Ailey, Asia Society, La Mama, etc) I co-curate their Indian dance festivals from 2008 to PRESENT - not only choosing from submissions but also inviting members of a large International netwrok of Indian dancers. Also act as Announcer - both live and recorded - for the shows. A three-day festival of a range of Indian dances: *First day outdoors (& FREE) at Battery Dance Co's DOWNTOWN DANCE Festival, * Next 2 days indoors at leading dance theaters in New York (Alvin Ailey, Asia Society, La Mama, etc) I co-curate their Indian dance festivals from 2008 to PRESENT - not only choosing from submissions but also inviting members of a large International netwrok of Indian dancers. Also act as Announcer - both live and recorded - for the shows.

    • Board Member
      • Sep 2010 - Feb 2013

    • Netherlands
    • Think Tanks
    • 1 - 100 Employee
    • invitee
      • 2010 - 2010

      Performed two danced stories and give a talk on "The Importance of Myth" Performed two danced stories and give a talk on "The Importance of Myth"

Education

  • New York University
    M.A., Social Anthropology of Human movement
    1980 - 1985
  • New York University
    Master of Arts - MA, Social Anthropology
    1980 - 1982
  • NY University; Miranda House, Delhi University; Lawrence School, Sanawar
    Master of Arts (M.A.), Cultural Anthropology of Movement systems (dances, martial arts, etc)

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