Pat Epstein
Independent - Director/Lens/Editor at Freelance Video Editor- Claim this Profile
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Bio
Scott McCullough
I worked with Patrick on several occasions and found him to not only be fun, but highly creative and a shooting/editorial God. Patrick has many different ways of looking at things and can bring out something different and unique. I co-directed a project (which I never do!) with him and it was a rewarding collaboration that had a lot of success.
Mick Freund
Patrick has extensive knowledge of his craft. He can shoot, direct and edit media projects that have a magical energy to them. As a producer, I am always looking for projects to include Patrick in the budget.
Scott McCullough
I worked with Patrick on several occasions and found him to not only be fun, but highly creative and a shooting/editorial God. Patrick has many different ways of looking at things and can bring out something different and unique. I co-directed a project (which I never do!) with him and it was a rewarding collaboration that had a lot of success.
Mick Freund
Patrick has extensive knowledge of his craft. He can shoot, direct and edit media projects that have a magical energy to them. As a producer, I am always looking for projects to include Patrick in the budget.
Scott McCullough
I worked with Patrick on several occasions and found him to not only be fun, but highly creative and a shooting/editorial God. Patrick has many different ways of looking at things and can bring out something different and unique. I co-directed a project (which I never do!) with him and it was a rewarding collaboration that had a lot of success.
Mick Freund
Patrick has extensive knowledge of his craft. He can shoot, direct and edit media projects that have a magical energy to them. As a producer, I am always looking for projects to include Patrick in the budget.
Scott McCullough
I worked with Patrick on several occasions and found him to not only be fun, but highly creative and a shooting/editorial God. Patrick has many different ways of looking at things and can bring out something different and unique. I co-directed a project (which I never do!) with him and it was a rewarding collaboration that had a lot of success.
Mick Freund
Patrick has extensive knowledge of his craft. He can shoot, direct and edit media projects that have a magical energy to them. As a producer, I am always looking for projects to include Patrick in the budget.
Experience
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Freelance Video Editor
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United States
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Media Production
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100 - 200 Employee
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Independent - Director/Lens/Editor
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Jun 2002 - Present
Independent - Director/Lens/Editor: Twenty plus years in Film & Video. www.vimeo.com/prepstein Independent - Director/Lens/Editor: Twenty plus years in Film & Video. www.vimeo.com/prepstein
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Freelance
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Minneapolis, Minnesota, United States
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Freelance
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Jun 2019 - Present
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Broken Compass
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Illionois
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Media Director
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Jun 2018 - Jun 2021
https://www.artstation.com/prepstein https://www.artstation.com/prepstein
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Senior Editor
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Jun 2000 - Jun 2001
Chief company media editor. Aurora award for best editing: Children's Cancer Research Fund (CCRF) Chief company media editor. Aurora award for best editing: Children's Cancer Research Fund (CCRF)
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First Avenue
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Minneapolis
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V.J.
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Jul 1982 - Jun 1986
In 1982, he became a VJ, at First Avenue (a positions which he held until 1986) and cut all of the club's video wallpaper. Throwing himself into many editing projects, he would often sleep overnight in the club's mezzanine, manually editing visuals without the benefit of a video-editing controller, which allowed the two machines to talk. There, he utilized experimental techniques and innovative methods in video editing, creating video wallpaper for the clubs huge video screen and monitors spread throughout the club. During these times, he was recognized by RockAmerica© as the first video artist to pioneer video "scratching". It was at First Avenue that he first previewed his re-edited or manipulated versions of Prince’s 1999, Little Red Corvette and Contoversy which he had re-cut into elongated dance versions of the original videos while maintaining the songs original BPMs (beats per minute). This caught the eye of Prince during a visit to the club, which led to directing his first "live" Prince concert and the beginning of a ten-year working relationship between the two artist. Highlights include: "Alphabet Street" Music Video (director/camera), "Sexy MF" Music video-club version (editor), and the "Three Chain of Gold" Funkumentary (editor). Back then; he had directed several live concerts, as well as various directing, shooting, and editing projects for Prince and Paisley Park artists such as - "Tweakin" for George Clinton (director/2nd camera/editor) and "Little Rock" for Eric Leeds (director/editor). He also had the honor of directing a number of live in-house concerts at this legendary venue for buzz word artists such as - Culture Club, The Cure, Motorhead, The Thompson Twins, The Time, Husker Du, The Suburbs...and many others.
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Education
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University of Minnesota-Twin Cities
Film Media -
Film in the Cities
Filmmaking -
Film in the Cities
Course Graduate, Film/Cinema/Video Studies -
Film in the Cities
Film/Cinema/Video Studies