Experience

BBC Studioworks

• United Kingdom
• Broadcast Media Production and Distribution
• 100 - 200 Employee

• Dialogue and Sound Effects Editor

  • Oct 2021 - Present

  Responsible for the dialogue and sound effects editing on EastEnders. Responsible for the dialogue and sound effects editing on EastEnders.



Sonic Vibrations

• United Kingdom
• Movies, Videos, and Sound

• Dubbing Mixer

  • May 2013 - Present

  Experienced in editing/mixing for varying platforms and territories with credits across film, TV, advert, documentary and full cast audiobook. Recent Credits include: Trusted House Sitters, Bomper Studio (Dubbing Mixer) US TVC EverMerge, Fairy Tales on Hold (Dubbing Mixer) In-Game Animation Mini Series Josh Wood Colour, Odelay Films (Dubbing Mixer) UK TVC KitKat Chunky Aero, Nestle (Sound Designer) AUS TVC Alphabet Street, Disney Junior (Sound Designer) TV Kids More Than Thanks, Teachers Federation (Sound Designer) AUS TVC Bubble Club, Statix Studio (Dialogue Editor) Interactive Short Film Learn a Word, Series 1-5, ABC (Dubbing Mixer) TV Kids Filthy Rich and Homeless Series 3, SBS (Foley Artist/Foley Editor) TV Documentary El Metido (Foley Artist/Foley Editor) Feature DocumentaryFestivals we've won at:LA Feme International, Raindance, Vimeo Staff Pick, Copenhagen International, Glasgow, Newcastle International, Rome International, Granada Afterglow and London Film Festivals.



Big Finish Productions

• United Kingdom
• Media Production
• 1 - 100 Employee

• Sound Designer for BBC Dr Who Full-Cast Audiobooks

  • Jul 2014 - Oct 2021

  -Dialogue Editing/Restoration-Sound Design-Mixing & Mastering for CD and digital distribution -Dialogue Editing/Restoration-Sound Design-Mixing & Mastering for CD and digital distribution



Sydney Opera House

• Australia
• Performing Arts
• 400 - 500 Employee

• Sound Technician

  • Apr 2019 - Apr 2020

  Working in the Concert Hall, Drama Theatre and The Playhouse as part of the sound team. Providing end-to-end sound support for a variety of different sized shows and often responsible for the wireless microphone systems. Responsible for managing the artists and tech on stage via communication with the front of house engineer and monitors engineer. Direct contact and co-ordination with touring teams, managers and artists to help facilitate their show to the highest standards expected by the Sydney Opera House as a world renowned venue.



Paper Moose

• Australia
• Advertising Services
• 1 - 100 Employee

• Dubbing Mixer

  • Feb 2019 - Apr 2020

  - Mixing & Creative Sound FX Editing/Sound Design- Dialogue Editing & Restoration- Recording and managing VO sessions TVCs, Broadcast Kids Entertainment, Corporate and Digital Content. - Mixing & Creative Sound FX Editing/Sound Design- Dialogue Editing & Restoration- Recording and managing VO sessions TVCs, Broadcast Kids Entertainment, Corporate and Digital Content.



Bell Shakespeare

• Australia
• Entertainment Providers
• 1 - 100 Employee

• Head of Audio & AV

  • Aug 2019 - Oct 2019

  Venue: Sydney Opera House, PlayhouseProduction: Titus AndronicusPerforming a leadership role, ensuring the delivery of performances and installation of audio elements in The Playhouse at the Sydney Opera House. Providing support and advice to the production manager in the planning, maintenance and performance of productions. In conjunction with the Sound Designer, Composer and Director, responsible for developing an appropriate sound system to service the needs of the production within the confines of the venue. Providing support to Bell Shakespeare Company in a range of technical aspects including but not limited to the sourcing, freight, installation and storage of all audio elements.Upholding the artistic intentions of the stage design within the available resources and venue facilities.



Royal Albert Hall

• Entertainment Providers
• 200 - 300 Employee

• Sound Technician

  • Jan 2017 - Jan 2019

  I managed operation of the sound, lighting and AV for large an small scale events across multiple performance spaces. I also managed other production elements for shows, such as live broadcast, live streaming and film recordings. I coordinated with event managers, production teams and crew to maintain organised and effective operation of the team. -Worked daily with DiGiCo SD series consoles for 2 years -Proficient with Dante and PA systems -Experienced in multitrack recording with Pro Tools HD -Proficient with Shure and Sennheiser radio systems and licence management



BBC Studioworks

• United Kingdom
• Broadcast Media Production and Distribution
• 100 - 200 Employee

• BBC Studios and Post Production - Eastenders

  • Apr 2014 - Apr 2014

  I spent a week shadowing the DOP in production and sound editors in post and learning about the show's, fast paced end-to-end workflow. I spent a week shadowing the DOP in production and sound editors in post and learning about the show's, fast paced end-to-end workflow.



Evolutions

• United Kingdom
• Broadcast Media Production and Distribution
• 100 - 200 Employee

• Library and Audio Transfer

  • Jul 2012 - Feb 2014

  I managed the intake and release of all media (tape and digital end-to-end workflows) across two buildings, leasing with producers in a fast-paced environment. I was responsible for carefully managing the media storage and archiving, involving close, methodical attention to detail.I worked with the audio department, carrying out daily tasks such as prepping sessions, tracklaying and bouncing stems for different broadcast specs, EBU R128, ATSC etc.Credits:The Apprentice, QI, The Graham Norton Show, TOWIE, Watchdog, Benefits Street, Great British Bake Off

• Runner

  • Mar 2012 - Jun 2012

  Making sure the clients across multiple edit suites had every everything they needed and ensuring an attentive, friendly and very high standard of service.



Channel 4

• United Kingdom
• Broadcast Media Production and Distribution
• 700 & Above Employee

• Runner

  • Jul 2010 - Jul 2010

  Whilst at university in Bristol I spent two weeks work experience with Channel 4 on the hit TV show Deal or No Deal, shadowing the sound and visual engineers. This gave me a great insight into the creative input of the visual engineer’s job, as they mixed the shows live and I found that I could relate to what they were doing as it drew very similar parallels to a sound engineer’s role in a live performance. Whilst at university in Bristol I spent two weeks work experience with Channel 4 on the hit TV show Deal or No Deal, shadowing the sound and visual engineers. This gave me a great insight into the creative input of the visual engineer’s job, as they mixed the shows live and I found that I could relate to what they were doing as it drew very similar parallels to a sound engineer’s role in a live performance.



Abbey Road Studios

• United Kingdom
• Musicians
• 1 - 100 Employee

• Runner

  • Jul 2009 - Jul 2009

  I spent a week at Abbey Road Studios assisting the studio engineer prep and run the sessions for the orchestral scoring (Royal Philharmonic) of Ghost Town by David Koepp. I spent a week at Abbey Road Studios assisting the studio engineer prep and run the sessions for the orchestral scoring (Royal Philharmonic) of Ghost Town by David Koepp.



Olympic Studios

• Runner

  • Aug 2006 - Sep 2006

  In each of the summers of 2005 and 2006 I did a month’s work experience at Olympic Studios, a prestigious recording studio in South West London. I was around sixteen at the time and had only recently discovered my passion for sound engineering and was determined that it was going to be my career choice, so I went and worked as a runner. I helped set up studios before recording sessions, assisting in microphone checks, checking lines and de-rigging everything after they were finished. In each of the summers of 2005 and 2006 I did a month’s work experience at Olympic Studios, a prestigious recording studio in South West London. I was around sixteen at the time and had only recently discovered my passion for sound engineering and was determined that it was going to be my career choice, so I went and worked as a runner. I helped set up studios before recording sessions, assisting in microphone checks, checking lines and de-rigging everything after they were finished.