Experience

MAUL

• Iceland
• Food & Beverages
• 1 - 100 Employee

• Video Editor

  • Dec 2022 - Present

  Just before 2023, I was brought on as a full-time member of the Maul team to continue working as a video editor for the company's growing list of clients.

• Video Editor

  • Jan 2022 - Dec 2022

  Early in 2022 I was brought on to the Emmy Award winning team at MAUL as a video editor to work on documentary style content for a wide variety of clients including the NBA2K League, Tik Tok, and Screenvision.



Freelance

• Egypt
• Human Resources
• 1 - 100 Employee

• Production/Post Production Freelance

  • May 2017 - Present

  Alongside my full-time positions I have continued to pursue freelance work as well. The majority of my freelance work has been as a video editor, but I also have experience as a production assistant on location, camera operator, and gaffer. Over the years I have been lucky enough to work for clients such as The New York Road Runners, The Center for Communication in NYC, Daily Racing Form, The Mayor's Office of Media and Entertainment, ICYMI Productions, and IVYinc among many others. Alongside my full-time positions I have continued to pursue freelance work as well. The majority of my freelance work has been as a video editor, but I also have experience as a production assistant on location, camera operator, and gaffer. Over the years I have been lucky enough to work for clients such as The New York Road Runners, The Center for Communication in NYC, Daily Racing Form, The Mayor's Office of Media and Entertainment, ICYMI Productions, and IVYinc among many others.



National Basketball Association (NBA)

• United States
• Spectator Sports
• 700 & Above Employee

• Video Editor

  • Sep 2021 - Jan 2022

  As an editor in the Live Edit department my primary responsibilities were to cutdown NBA games to be aired internationally, to work in tandem with the Replay Center to provide video proof of calls made on the court, and create nightly summaries of game action around the league. Additionally, I created other content for use on NBA social media handles and NBA League Pass.

• Production Assistant

  • Aug 2019 - Sep 2021

  During my time with the NBA I have performed in a wide variety of roles. As a CGF Kirk I have managed the streaming of the full slate of NBA games on a nightly basis; Approving content, solving problems as needed, and communicating with various departments to support streaming to NBA League Pass. Additionally, I have worked as an editor on pieces for the many social handles under the NBA brand, assisted Phantom camera operators in the field, and logged footage for use in our extensive archive.



NBC Sports

• United States
• Spectator Sports
• 1 - 100 Employee

• Master Control Operator

  • Nov 2017 - Jun 2019

  As a master control operator for NBC Sports, I maintained video and audio integrity for live studio shows, NBA games, and NHL games. Additionally I worked as a technical director and assistant director for NASCAR and British Premier League broadcasts on the national network, NBCSN. As a master control operator for NBC Sports, I maintained video and audio integrity for live studio shows, NBA games, and NHL games. Additionally I worked as a technical director and assistant director for NASCAR and British Premier League broadcasts on the national network, NBCSN.



Daily Racing Form

• United States
• Spectator Sports
• 1 - 100 Employee

• Production Intern

  • May 2017 - Aug 2017

  During my summer internship with Daily Racing Form I was given the opportunity to get hands on experience with various aspects of the production and post production processes. This experience included creating graphics for use in our daily videos, operating the switch board during studio shoots, editing videos on a quick turnaround for DRF's social handles, and working in the field at high profile horse races such as the Belmont Stakes. During my summer internship with Daily Racing Form I was given the opportunity to get hands on experience with various aspects of the production and post production processes. This experience included creating graphics for use in our daily videos, operating the switch board during studio shoots, editing videos on a quick turnaround for DRF's social handles, and working in the field at high profile horse races such as the Belmont Stakes.