Marianne Zamecznik

Curator at Trondheim Kunstmuseum
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Contact Information
us****@****om
(386) 825-5501
Location
NO
Languages
  • English Native or bilingual proficiency
  • Polish Limited working proficiency
  • Swedish Professional working proficiency
  • German Limited working proficiency
  • Italian Elementary proficiency
  • Bokmål, Norwegian Native or bilingual proficiency

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Experience

    • Norway
    • Museums, Historical Sites, and Zoos
    • 1 - 100 Employee
    • Curator
      • Aug 2020 - Present

  • OSLO OPEN
    • Oslo Area, Norway
    • Director
      • Sep 2015 - Aug 2020

      Oslo Open was established in 2000 by a collective of artists and art institutions in Oslo. Today these institutions constitute Oslo Open’s Reference Group. Oslo Open has been organised eight times since its inception in 2000. Today there are similar projects in Bergen: B-Open, Trondheim: Trondheim Open, Tromso: Tromsø Open and Stavanger: R-Open. Oslo Open was established in 2000 by a collective of artists and art institutions in Oslo. Today these institutions constitute Oslo Open’s Reference Group. Oslo Open has been organised eight times since its inception in 2000. Today there are similar projects in Bergen: B-Open, Trondheim: Trondheim Open, Tromso: Tromsø Open and Stavanger: R-Open.

    • Norway
    • Retail Art Supplies
    • 1 - 100 Employee
    • magic language///game of whispers
      • Sep 2015 - Sep 2015

      magic language///game of whispers is an innovative curatorial concept based on the children’s game known by many names, including ‘téléphone arabe’, ‘chinese whispers’ and ‘the messenger game’, where a person whispers a message to the next, passing the message through a line of people until the last person announces the message to the entire group. Curator Marianne Zamecznik developed this method for selecting contemporary crafts from across the Nordic region. - magic language///game of whispers not onlydraws upon a forgotten way of creating new meaning, but is also a way to engage five curators, institutions, and countries in the process of exhibition-making. The game of whispers itself becomes a tool to generate texts, images, reflection, dialogue and engagement. Instead of having one curator travelling from place to place to select works – the objects themselves travel and “select” their counterparts with the help of the curator-as-translator, says Zamecznik about her curatorial method. Five Nordic craft associations have carefully selected their national curator for the “game”. They were asked to respond to an introductory statement by Zamecznik and select objects from images and a statement about the previous object. The process continues in a sort of relay race, where one curator after another selects a work to be included in the exhibition. The curators are Katrine Borup (Denmark), Agnieszka Knap (Sweden), Anna Leoniak (Iceland), Katarina Siltavuori (Finland) and Marianne Zamecznik (Norway). Each curator was asked to read the introductory statement by Marianne Zamecznik Show less

    • Retail Art Supplies
    • Momentum Biennial 2011: Imagine Being Here Now
      • Sep 2010 - Oct 2011

      http://www.momentum.no/2011.196698.no.html http://www.momentum.no/2011.196698.no.html

    • Poland
    • Movies and Sound Recording
    • 1 - 100 Employee
    • The Feast
      • Sep 2011 - Sep 2011

      Organized within the framework of the European Culture Congress in Wroclaw, The Feast takes place in one of the domes of the Four-Dome Pavilion, an exhibition hall designed by German architect Hans Poelzig, which opened on the occasion of The Centennial Exhibition in May 1913. The space, a dome with a central rotunda, has two entrances at opposite sides and serves as the main entrance to the four-domes pavilion and its forum-like square. It’s a space of passing through for all the public visiting the congress art program. The Feast presents the work of three artists, Pawel Jarodzki, Oliver Laric and Josefine Lyche, who all contribute to create a peaceful atmosphere for relaxation and reflection, where the audience can make the emotional transition between what has been experienced in the lecture halls and the art program. Show less

    • program director
      • Feb 2007 - Jun 2010

    • Coordinator
      • 2005 - 2007

  • Filmform
    • Stockholm, Sweden
    • Producent
      • 2002 - 2004

Education

  • Konstfack
    Curatorial program
    2000 - 2002
  • Oslo National Academy of the Arts (KHiO)
    Bachelor's degree, METALWORK AND JEWELLERY
    1995 - 2000
  • Oslo and Akershus University College, Blaker
    Bachelor's degree, Product Design
    1993 - 1995

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