Experience

Society of Architectural Historians of Great Britain

• United Kingdom
• Architecture and Planning
• 1 - 100 Employee

• Architectural History Seminar Convenor

  • Jan 2022 - Present

  I am one of three convenors collaborating with the SAHGB's Programmes Officer on the organisation of the Architectural History Seminar. The seminars, held with the Institute for Historical Research in London, push the expanding boundaries of architectural history, exploring its contacts with other disciplines and featuring the latest research across a wide range of approaches, chronologies and geographies. I am one of three convenors collaborating with the SAHGB's Programmes Officer on the organisation of the Architectural History Seminar. The seminars, held with the Institute for Historical Research in London, push the expanding boundaries of architectural history, exploring its contacts with other disciplines and featuring the latest research across a wide range of approaches, chronologies and geographies.



Italian Art Society

• Higher Education
• 1 - 100 Employee

• IAS Newsletter Editor and Publications Coordinator

  • Feb 2020 - Present

  As Editor of the Italian Art Society's Newsletter, I am responsible for the publication of the Newsletter’s three annual issues in the fall (7 October), spring (7 February) and summer (7 June). I am also responsible for the listing of member publications on the dedicated page of the IAS website. I commission and edits special features, as well as collating, editing and formatting all other sections of the Newsletter, such as the List of Exhibitions and the News and Notes. For these last two sections, I collaborate with two Newsletter Assistants who draw an initial list of items. Special features generally consist of exhibition reviews, interviews with curators or artists, or short essays by artists or researchers. The Newsletter also features news about its members, such as reception of major awards, and society updates, such as sponsored sessions at major conferences. I have so far produced seven issues. Two of these were special issues: the first on women in Italian art (October 2021) and the second on the global future of Italian art history (June 2022 Show less



University of Warwick

• United Kingdom
• Higher Education
• 700 & Above Employee

• Leverhulme Trust Early Career Fellow, History of Art Department

  • Oct 2018 - Present

  I am a Leverhulme Trust Early Career Fellow in the History of Art Department at the University of Warwick (2018-2022). I work on late medieval and early modern art and architecture, and my research focuses on the intersection of artistic and architectural practice in Europe, especially Italy. In particular, my work addresses the communicative powers of structure and ornament, the relationship between design and craftsmanship, the emergence of the architect as a professional figure, and the production of architectural knowledge. I am also interested in exchanges between Western Europe and the Byzantine and Ottoman empires. Before joining Warwick, I was a fellow at The Warburg Institute in London (2017) and taught at the University of York (2014 and 2016) and the Courtauld Institute of Art, London (2018). Show less



The National Gallery

• United Kingdom
• Museums, Historical Sites, and Zoos
• 200 - 300 Employee

• Specialist Translator

  • Sep 2016 - Present

  I work as a specialist translator of early modern Italian texts. In 2017, I translated a selection of Sebastiano del Piombo’s letters to Michelangelo for the exhibition “Michelangelo & Sebastiano” (with Amanda Lillie, National Gallery, London, 2017), while in 2020 I translated letters by Titian to Philip II of Spain for “Titian: Love, Desire, Death” (National Gallery, London, 2020). I work as a specialist translator of early modern Italian texts. In 2017, I translated a selection of Sebastiano del Piombo’s letters to Michelangelo for the exhibition “Michelangelo & Sebastiano” (with Amanda Lillie, National Gallery, London, 2017), while in 2020 I translated letters by Titian to Philip II of Spain for “Titian: Love, Desire, Death” (National Gallery, London, 2020).



Courtauld Institute of Art, U. of London

• United Kingdom
• Museums, Historical Sites, and Zoos
• 100 - 200 Employee

• Summer School Lecturer

  • Apr 2018 - Apr 2018

  I designed and taught the course "Artistic Encounters: Italy and the Byzantine Empire, 1261-1459" in collaboration with Maria Alessia Rossi (Index of Christian Art, Princeton) I designed and taught the course "Artistic Encounters: Italy and the Byzantine Empire, 1261-1459" in collaboration with Maria Alessia Rossi (Index of Christian Art, Princeton)


The Warburg Institute, University of London
• United Kingdom
• Higher Education
• 1 - 100 Employee
• Postdoctoral Research Fellow

  • Sep 2017 - Jan 2018


University of York

• United Kingdom
• Higher Education
• 700 & Above Employee

• BA Tutor

  • Sep 2016 - Dec 2016

  I taught first-year module "The Materials of Art and Architecture" and marked examinations. I taught first-year module "The Materials of Art and Architecture" and marked examinations.

• BA Tutor

  • Jan 2014 - Mar 2014

  I taught first-year module "Reinventing Antiquity" and marked examinations. I taught first-year module "Reinventing Antiquity" and marked examinations.