Jim Lee

Quality Control & Production Manager Support at Magnet Harlequin
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Contact Information
us****@****om
(386) 825-5501
Location
London, England, United Kingdom, UK

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5.0

/5.0
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Evan Wellman

I highly recommend Jim who is a craftsman of the artwork, prepress and printing process world. An extremely dependable person who effortlessly self manages time sensitive large projects ensuring that timelines agreed are never compromised. With an in-depth practical knowledge of creative services software packages spanning over 30-years he is the ‘go to’ person for peers and clients to resolve issues and get things done. He is a critical thinker who adds value at internal and external levels with a continuous improvement mind-set. Adept at developing team members and non-English speaking client territories by promoting best practice, efficiency and productivity.

Eleanor Silverio

Immediate response to request followed up by high quality work. Will be back.

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Experience

    • United Kingdom
    • Media Production
    • 1 - 100 Employee
    • Quality Control & Production Manager Support
      • Jan 2018 - Present

      Working as the dedicated Marks & Spencers Account Quality Controller. Checking that the Client Briefs have been carried out correctly. Working as the dedicated Marks & Spencers Account Quality Controller. Checking that the Client Briefs have been carried out correctly.

    • Freelance Packaging Artworker & Quality Control
      • Aug 2017 - Dec 2017

      Freelance Artworking and Quality Control at various locations including Total Print & Display and Magnet Harlequin Freelance Artworking and Quality Control at various locations including Total Print & Display and Magnet Harlequin

    • United Kingdom
    • Printing Services
    • 1 - 100 Employee
    • Freelance Artworker
      • Jul 2017 - Aug 2017

      Daily updates to the centre 24 pages of the Wimbledon Tennis Official Daily Programme. Once the days play has finished, Importing XML into Indesign, proofing and supplying Print Ready pdf's to the printers. Up to 10,000 copies are printed and returned to Wimbledon by 7am the next morning. I have been working with The PPL Group at the Wimbledon Championships since 2006. Daily updates to the centre 24 pages of the Wimbledon Tennis Official Daily Programme. Once the days play has finished, Importing XML into Indesign, proofing and supplying Print Ready pdf's to the printers. Up to 10,000 copies are printed and returned to Wimbledon by 7am the next morning. I have been working with The PPL Group at the Wimbledon Championships since 2006.

    • United Kingdom
    • Software Development
    • 1 - 100 Employee
    • Senior Packaging Artworker, Project Manager & Brand Guardian
      • Aug 2009 - Jun 2017

      As an extension of Creative Services for Paramount Home Entertainment. Working on their Digital Asset Management site, the responsibility was to manage and deliver the highest quality print ready packaging artwork for all new release and back catalogue titles. • Download and preparing new assets for quality control checks, through digital checking procedures. • Carrying out rigorous flightchecks to both imagery and technical content. • Control of the distribution of newly uploaded assets to the Paramount DAM site, from many territories around the world. • Project Management of techincal Labeling with Territory Certification for Europe, UK and Germany. • Managing Artwork alteration projects (over 5,000 assets in 2016). • Maintain archive of packaging templates and samples for easy reference, including layout and cutter guides. • Developing and adapting packaging elements for Paramount Home Entertainment. • Production of visuals and working mock-ups for new assets. • Amending assets as required and re-uploading onto DAM site. • Client liaison to both Operations and Territory agencies around the world to ensure packaging is delivered ready to print. • Training to both Brand Guardian Team Members and Freelance operators. Show less

    • Senior Packaging Artworker
      • Dec 2004 - Aug 2009

      Packaging Artworker FMCG Packaging Development R&D CTP, Truflow and Prinergy workflow systems Establishing manual Imposition schemes for ‘irregular’ shaped products, such as cartons, to minimise wastage. Packaging Artworker FMCG Packaging Development R&D CTP, Truflow and Prinergy workflow systems Establishing manual Imposition schemes for ‘irregular’ shaped products, such as cartons, to minimise wastage.

    • Nightshift Artworker
      • Jul 2002 - Dec 2004

      Producing final Print Ready pdf’s for a wide variety of weekly, monthly and periodical publications. Retouching, Colour Correction & Montaging in Photoshop. Clients included BBC, Time Out, Front, Real Homes, Haymarket and John Brown Junior. Pdf’s created through Twist or Prinergy flightchecking systems and proofed to digital cromalins and imagesetters. Producing final Print Ready pdf’s for a wide variety of weekly, monthly and periodical publications. Retouching, Colour Correction & Montaging in Photoshop. Clients included BBC, Time Out, Front, Real Homes, Haymarket and John Brown Junior. Pdf’s created through Twist or Prinergy flightchecking systems and proofed to digital cromalins and imagesetters.

    • United Kingdom
    • Furniture and Home Furnishings Manufacturing
    • 1 - 100 Employee
    • Manager Nightshift Digital Artwork
      • Jun 1997 - Jul 2002

      Taking client briefs for the nights work. Prioritising and distributing the workload. Clients included: London Transport, Lloyds TSB, Sony, BAA, SWEB, Huggies, Eurobet, Freeserve, Fabulous Bakin Boys, Bovis and Morgan Stanley. Keeping track of suppliers for scans and proofs. Nightly backups of the server. The checking of all work being sent out for printing including colour separations. Archiving and cataloguing of completed work. Taking client briefs for the nights work. Prioritising and distributing the workload. Clients included: London Transport, Lloyds TSB, Sony, BAA, SWEB, Huggies, Eurobet, Freeserve, Fabulous Bakin Boys, Bovis and Morgan Stanley. Keeping track of suppliers for scans and proofs. Nightly backups of the server. The checking of all work being sent out for printing including colour separations. Archiving and cataloguing of completed work.

    • China
    • Design Services
    • Nightshift Repro Mac Operator
      • Oct 1993 - Jun 1997

      Taking the clients instructions from the salesmen. Organising the workflow through each department and sorting problems that may occur throughout the night. Responsible for the checking of all films before the making of Cromalin proofs and then checking the proofs before sending to the client. Retouching and multi-layer Photoshop work. Scanning on flatbed scanners, using Arcus II and Horizon Plus, reproducing logos and some smaller sets. Final film output either to various imagesetters and a Sun Spark for the imaging of A1 sheets, through a converted drum scanner. Show less

    • United Kingdom
    • Design Services
    • Self Employment
      • Jun 1988 - Oct 1993

      Investing in my own Apple Macintosh equipment with QuarkXPress and Freehand as my main tools. I built up a wide range of clients: Copeland & Charrington - an Advertising Agency specialising in Mail Order, producing catalogues and advertisements for National Newspapers. Areff Productions - a presentation company, with clients such as Stena Sealink, The Hospital Saturday Fund and Woolworths. JBI Asset Management - a worldwide Financial Advisory Service specialising in servicing the Armed Forces. Hadley Garages Group - a major franchise in Basingstoke with Rover, Toyota, Citroen, Peugeot and Unipart, designing and supplying a huge variety of forms for BS 5750. Show less

    • Head Of Design
      • Aug 1985 - May 1988

      Starting as a trainee Paste-up and Design Artist, working up to Head of the Department, in charge of the production of all artwork from general stationery to monthly magazines such as Wisden Cricket Monthly. Southampton and Oxford F.C., Sunday League Cricket and Test Match programmes. Starting as a trainee Paste-up and Design Artist, working up to Head of the Department, in charge of the production of all artwork from general stationery to monthly magazines such as Wisden Cricket Monthly. Southampton and Oxford F.C., Sunday League Cricket and Test Match programmes.

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