Guido Michelotti

Cinematographer at HT Films
  • Claim this Profile
Contact Information
us****@****om
(386) 825-5501
Location
Bologna, Emilia-Romagna, Italy, IT
Languages
  • Inglese -

Topline Score

Topline score feature will be out soon.

Bio

Generated by
Topline AI

You need to have a working account to view this content.
You need to have a working account to view this content.

Experience

    • Mexico
    • Advertising Services
    • 1 - 100 Employee
    • Cinematographer
      • Aug 2023 - Present

      Film "Nonostante” Director: Valerio Mastandrea Camera: Lenses: Production company: HT film Italy 2023 Film "Nonostante” Director: Valerio Mastandrea Camera: Lenses: Production company: HT film Italy 2023

    • Canada
    • Movies, Videos, and Sound
    • Cinematographer
      • Mar 2023 - Jun 2023

      Film "Un altro ferragosto " Director: Paolo Virzì Camera: Arri Alexa 35 Lenses: Zeiss Master Prime Production company: Lotus Production Italy 2023 Film "Un altro ferragosto " Director: Paolo Virzì Camera: Arri Alexa 35 Lenses: Zeiss Master Prime Production company: Lotus Production Italy 2023

    • Italy
    • Movies, Videos, and Sound
    • 100 - 200 Employee
    • Cinematographer
      • Aug 2022 - Jan 2023

      TV serie "Un Amore" Directors: Francesco Lagi Format: HD. Camera: Arri Alexa Lenses: Cooke S5 Lenses Production company: Cattleya Srl Italy 2022 TV serie "Un Amore" Directors: Francesco Lagi Format: HD. Camera: Arri Alexa Lenses: Cooke S5 Lenses Production company: Cattleya Srl Italy 2022

    • Italy
    • Media Production
    • 1 - 100 Employee
    • Cinematographer
      • Mar 2022 - Jul 2022

      Film "L'ultima notte di Amore" Director: Andrea Di Stefano Format: 35mm . Negativo Kodak Vision 3. Camera: Arricam LT, Arricam ST Lenses: Panavision Primo Prime Spherical Lenses, Cooke Xtal Xpress Anamorphic Lenses Production company: Indiana Italy 2022 Film "L'ultima notte di Amore" Director: Andrea Di Stefano Format: 35mm . Negativo Kodak Vision 3. Camera: Arricam LT, Arricam ST Lenses: Panavision Primo Prime Spherical Lenses, Cooke Xtal Xpress Anamorphic Lenses Production company: Indiana Italy 2022

    • Movies, Videos, and Sound
    • 1 - 100 Employee
    • Cinematographer
      • Jul 2021 - Dec 2021

      TV serie "Blocco 181" Directors: Giuseppe Capotondi, Ciro Visco Format: HD. Camera: Sony Venice. Lenses: Scorpio Anamorphic Lenses Production company: Tapeless Italy 2021 TV serie "Blocco 181" Directors: Giuseppe Capotondi, Ciro Visco Format: HD. Camera: Sony Venice. Lenses: Scorpio Anamorphic Lenses Production company: Tapeless Italy 2021

    • Italy
    • Movies, Videos, and Sound
    • 100 - 200 Employee
    • Cinematographer
      • Jul 2020 - Jan 2021

      TV serie "Gomorra la serie - quinta stagione" Directors: Marco D'Amore, Claudio Cupellini Format: HD. Camera: Arri Alexa Mini. Lenses: Zeiss Ultra Prime Production company: Cattleya S.r.l. Italy 2020-2021 TV serie "Gomorra la serie - quinta stagione" Directors: Marco D'Amore, Claudio Cupellini Format: HD. Camera: Arri Alexa Mini. Lenses: Zeiss Ultra Prime Production company: Cattleya S.r.l. Italy 2020-2021

    • Movies, Videos, and Sound
    • 1 - 100 Employee
    • Camera Operator
      • Aug 2019 - Nov 2019

      Film: "Padre Nostro" Director: Claudio Noce Cinematographer: Michele D'Attanasio Camera: Arri Alexa Mini, Arri Alexa XT Lenses: Lomo Spherical Lenses, Todd A-O Anamorphic Lenses Production company:Lungta Film Italy 2019 Film: "Padre Nostro" Director: Claudio Noce Cinematographer: Michele D'Attanasio Camera: Arri Alexa Mini, Arri Alexa XT Lenses: Lomo Spherical Lenses, Todd A-O Anamorphic Lenses Production company:Lungta Film Italy 2019

    • Italy
    • Movies, Videos, and Sound
    • 100 - 200 Employee
    • Cinematographer
      • Apr 2019 - Jul 2019

      Film: "L'immortale" Director: Marco D'Amore Camera: Red Monstro Lenses: Zeiss Supreme Prime Production company: Cattleya Srl Italy 2019 Film: "L'immortale" Director: Marco D'Amore Camera: Red Monstro Lenses: Zeiss Supreme Prime Production company: Cattleya Srl Italy 2019

    • Italy
    • Movies, Videos, and Sound
    • 1 - 100 Employee
    • Cinematographer
      • Jan 2019 - Mar 2019

      Film: "Nevia" Director: Nunzia De Stefano Camera: Arri Alexa Mini Lenses: Zeiss Superspeed MKII Production company:Archimede Srl Italy 2019 Film: "Nevia" Director: Nunzia De Stefano Camera: Arri Alexa Mini Lenses: Zeiss Superspeed MKII Production company:Archimede Srl Italy 2019

    • Italy
    • Movies, Videos, and Sound
    • 100 - 200 Employee
    • Camera Operator
      • Mar 2018 - Nov 2018

      TV serie "Zero Zero Zero" Directors: Stefano Sollima, Pablo Trapero, Janus Metz Cinematographer: Paolo Carnera, Romain Lacourbas Camera: Arri Alexa Mini, Arri Alexa SXT Lenses: Zeiss Master Prime Production company: Cattleya S.r.l. Italy 2018 TV serie "Zero Zero Zero" Directors: Stefano Sollima, Pablo Trapero, Janus Metz Cinematographer: Paolo Carnera, Romain Lacourbas Camera: Arri Alexa Mini, Arri Alexa SXT Lenses: Zeiss Master Prime Production company: Cattleya S.r.l. Italy 2018

    • Brazil
    • Entertainment Providers
    • 1 - 100 Employee
    • Camera Operator
      • Feb 2018 - Mar 2018

      Film: "Il vizio della speranza" Director: Edoardo De Angelis Cinematographer: Ferran Paredes Rubio Camera: Arri Alexa Mini Lenses: Cooke Xtal Express Production company: O'GROOVE S.r.l Italy 2018 Film: "Il vizio della speranza" Director: Edoardo De Angelis Cinematographer: Ferran Paredes Rubio Camera: Arri Alexa Mini Lenses: Cooke Xtal Express Production company: O'GROOVE S.r.l Italy 2018

    • Italy
    • Movies, Videos, and Sound
    • 1 - 100 Employee
    • Camera Operator
      • Sep 2017 - Nov 2017

      Film: "Il primo re" Director: Matteo Rovere Cinematographer: Daniele Ciprì Camera: Arri Alexa SXT Lenses: Zeiss Master Anamorphic Production company: Groenlandia S.r.l Italy 2017 Film: "Il primo re" Director: Matteo Rovere Cinematographer: Daniele Ciprì Camera: Arri Alexa SXT Lenses: Zeiss Master Anamorphic Production company: Groenlandia S.r.l Italy 2017

    • Italy
    • Media Production
    • 1 - 100 Employee
    • Cinematographer
      • Apr 2017 - Jul 2017

      Film: "Sono tornato" Director: Miniero Camera: Arri Alexa Amira Lenses: Angenieux Optimo Spherical Lenses Production company: Indiana Production Italy 2015 Film: "Sono tornato" Director: Miniero Camera: Arri Alexa Amira Lenses: Angenieux Optimo Spherical Lenses Production company: Indiana Production Italy 2015

    • Italy
    • Movies, Videos, and Sound
    • 100 - 200 Employee
    • Camera Operator
      • Oct 2016 - Mar 2017

      TV serie "Gomorra la serie - terza stagione" Directors: Francesca Comencini, Claudio Cupellini Cinematographer: Ivan Casalgrandi, Vittorio Omodei Zorini Format: HD. Camera: Arri Alexa plus. Lenses: Zeiss Ultra Prime Production company: Cattleya S.r.l. Italy 2016-2017 TV serie "Gomorra la serie - terza stagione" Directors: Francesca Comencini, Claudio Cupellini Cinematographer: Ivan Casalgrandi, Vittorio Omodei Zorini Format: HD. Camera: Arri Alexa plus. Lenses: Zeiss Ultra Prime Production company: Cattleya S.r.l. Italy 2016-2017

    • Czechia
    • Movies, Videos, and Sound
    • Camera Operator
      • Aug 2016 - Oct 2016

      Film "Fortunata" Director: Sergio Castellitto Cinematographer: Gianfilippo Corticelli Camera: Arri Alexa Lenses: Leica Summilux-C Production company: Indigo film Italy 2016 Film "Fortunata" Director: Sergio Castellitto Cinematographer: Gianfilippo Corticelli Camera: Arri Alexa Lenses: Leica Summilux-C Production company: Indigo film Italy 2016

  • Bibi film
    • Almería, Spagna / Las Vegas, USA
    • Camera Operator
      • Mar 2016 - May 2016

      Film "Tito e gli alieni" Director: Paola Randi Cinematographer: Roberto Forza Camera: Red Dragon Lenses: Leica Summicron-C Production company: Bibi Film Italy 2016 Film "Tito e gli alieni" Director: Paola Randi Cinematographer: Roberto Forza Camera: Red Dragon Lenses: Leica Summicron-C Production company: Bibi Film Italy 2016

    • Netherlands
    • Media Production
    • 1 - 100 Employee
    • Camera Operator
      • Dec 2015 - Mar 2016

      Film "Fiore" Director: Claudio Giovannesi Cinematographer: Daniele Ciprì Camera: Red Dragon Lenses: CooKe S4 Prime Production company: Pupkin Production Italy 2016 Film "Fiore" Director: Claudio Giovannesi Cinematographer: Daniele Ciprì Camera: Red Dragon Lenses: CooKe S4 Prime Production company: Pupkin Production Italy 2016

    • Italy
    • Media Production
    • 100 - 200 Employee
    • Camera Operator
      • Sep 2015 - Dec 2015

      Film "In guerra per amore" Director: Pierfrancesco Diliberto Cinematographer: Roberto Forza Camera: Arri Alexa. Lenses: Zeiss Ultra Prime Production company: Wildside S.r.l. Italy 2015 Film "In guerra per amore" Director: Pierfrancesco Diliberto Cinematographer: Roberto Forza Camera: Arri Alexa. Lenses: Zeiss Ultra Prime Production company: Wildside S.r.l. Italy 2015

    • Italy
    • Entertainment Providers
    • 1 - 100 Employee
    • Camera Operator
      • Sep 2015 - Sep 2015

      Film "Tommaso" Director: Kim Rossi Stuart Cinematographer: Gianfilippo Corticelli Camera: Arri Alexa XT Lenses: Cooke S4 Prime Production company: Palomar Spa Italy 2015 Film "Tommaso" Director: Kim Rossi Stuart Cinematographer: Gianfilippo Corticelli Camera: Arri Alexa XT Lenses: Cooke S4 Prime Production company: Palomar Spa Italy 2015

    • Canada
    • Movies, Videos, and Sound
    • Camera Operator
      • May 2015 - Jul 2015

      Film "La pazza gioia" Director: Paolo Virzì Cinematographer: Vladan Radovich Camera: Arri Alexa. Lenses: Cooke S4 Prime Production company: Lotus Production Italy 2015 Film "La pazza gioia" Director: Paolo Virzì Cinematographer: Vladan Radovich Camera: Arri Alexa. Lenses: Cooke S4 Prime Production company: Lotus Production Italy 2015

    • Italy
    • Movies, Videos, and Sound
    • 100 - 200 Employee
    • Camera Operator
      • Apr 2015 - May 2015

      TV serie "Gomorra la serie - seconda stagione" Director: Stefano Sollima Cinematographer: Paolo Carnera Camera: Arri Alexa. Lenses: Zeiss Ultra Prime Production company: Cattleya S.r.l. Italy 2015 TV serie "Gomorra la serie - seconda stagione" Director: Stefano Sollima Cinematographer: Paolo Carnera Camera: Arri Alexa. Lenses: Zeiss Ultra Prime Production company: Cattleya S.r.l. Italy 2015

    • Italy
    • Media Production
    • 1 - 100 Employee
    • Cinematographer
      • Dec 2014 - Feb 2015

      Film: "Un posto sicuro" Director: Francesco Ghiaccio Camera: Arri Alexa plus Lenses: Cooke S4 Prime Production company: Indiana Production Italy 2015 Film: "Un posto sicuro" Director: Francesco Ghiaccio Camera: Arri Alexa plus Lenses: Cooke S4 Prime Production company: Indiana Production Italy 2015

    • Italy
    • Movies, Videos, and Sound
    • 100 - 200 Employee
    • Camera Operator
      • Dec 2014 - Dec 2014

      Film: "Suburra" Director: Stefano Sollima Cinematographer: Paolo Carnera Format: HD. Camera: Arri Alexa. Lenses: Zeiss Master Prime Production company: Cattleya S.r.l. Italy 2014 Film: "Suburra" Director: Stefano Sollima Cinematographer: Paolo Carnera Format: HD. Camera: Arri Alexa. Lenses: Zeiss Master Prime Production company: Cattleya S.r.l. Italy 2014

  • 11 Marzo Films S.r.l.
    • Bolzano, Italia
    • Camera Operator
      • Aug 2014 - Sep 2014

      Film: "Max & Hélène" Director: Giacomo Battiato Cinematographer: Roberto Forza Format: HD. Camera: Arri Alexa. Lenses: Zeiss Ultra Prime Production company: 11 Marzo Films S.r.l. Italy 2014 Film: "Max & Hélène" Director: Giacomo Battiato Cinematographer: Roberto Forza Format: HD. Camera: Arri Alexa. Lenses: Zeiss Ultra Prime Production company: 11 Marzo Films S.r.l. Italy 2014

    • Italy
    • Movies, Videos, and Sound
    • 100 - 200 Employee
    • Camera Operator
      • May 2014 - Jul 2014

      Film: "Si accettano miracoli" Director: Alessandro Siani Cinematographer: Paolo Carnera Format: HD. Camera: Arri Alexa. Lenses: Primo Lenses Production company: Cattleya s.r.l. Italy 2014 Film: "Si accettano miracoli" Director: Alessandro Siani Cinematographer: Paolo Carnera Format: HD. Camera: Arri Alexa. Lenses: Primo Lenses Production company: Cattleya s.r.l. Italy 2014

    • Camera Operator
      • Mar 2014 - Apr 2014

      Film: "Cloro" Director: Lamberto Sanfelice Cinematographer: Michele Paradisi Format: HD. Camera: Arri Alexa. Lenses: Zeiss Ultra Prime Production company: Asmara Films s.r.l. Italy 2014 Film: "Cloro" Director: Lamberto Sanfelice Cinematographer: Michele Paradisi Format: HD. Camera: Arri Alexa. Lenses: Zeiss Ultra Prime Production company: Asmara Films s.r.l. Italy 2014

  • Cattleya Srl
    • Napoli, Milano (Italia), Barcellona (Spagna)
    • Camera Operator
      • May 2013 - Nov 2013

      TV serie "Gomorra" Directors: Stefano Sollima, Francesca Comencini, Claudio Cupellini Cinematographer: Paolo Carnera Format: HD. Camera: Arri Alexa. Lenses: Zeiss Ultra Prime Production company: Cattleya S.r.l. Italy 2013 TV serie "Gomorra" Directors: Stefano Sollima, Francesca Comencini, Claudio Cupellini Cinematographer: Paolo Carnera Format: HD. Camera: Arri Alexa. Lenses: Zeiss Ultra Prime Production company: Cattleya S.r.l. Italy 2013

  • Indiana Production
    • Milano, Italia
    • Camera Operator
      • Feb 2013 - Apr 2013

      Film: "Il capitale umano" Director: Paolo Virzì Cinematographer: Jerome Almeras Format: HD. Camera: Arri Alexa. Lenses: Zeiss Master Prime Production company: Indiana Production Italy 2013 Film: "Il capitale umano" Director: Paolo Virzì Cinematographer: Jerome Almeras Format: HD. Camera: Arri Alexa. Lenses: Zeiss Master Prime Production company: Indiana Production Italy 2013

  • Ascent Films Inc.
    • Roma, Italia
    • Camera Operator
      • Jan 2013 - Feb 2013

      Film: "La Foresta di ghiaccio" Director: Claudio Noce Cinematographer: Michele D'Attanasio. Format: HD. Camera: Arri Alexa. Lenses: Zeiss Ultra Prime Production company: Ascent Films Italy 2013 Film: "La Foresta di ghiaccio" Director: Claudio Noce Cinematographer: Michele D'Attanasio. Format: HD. Camera: Arri Alexa. Lenses: Zeiss Ultra Prime Production company: Ascent Films Italy 2013

    • Camera Operator
      • Jun 2012 - Sep 2012

      Film: "I Calcianti" Director: Stefano Lorenzi Cinematographer: Daniele Ciprì / Ramiro Civita Format: HD. Camera: Red Epic / Arri Alexa. Lenses: Zeiss Ultra Prime Production company: Settimaluna Italy 2012 Film: "I Calcianti" Director: Stefano Lorenzi Cinematographer: Daniele Ciprì / Ramiro Civita Format: HD. Camera: Red Epic / Arri Alexa. Lenses: Zeiss Ultra Prime Production company: Settimaluna Italy 2012

    • Camera Operator
      • Dec 2011 - Jan 2012

      Film: "Alì ha gli occhi azzurri" Director: Claudio Giovannesi Cinematographer: Daniele Ciprì Format: HD. Camera: Panasonic AG-AF101. Lenses: Ultra Speed Zeiss 1.3 Production company: Acaba Produzioni Italy 2012 Film: "Alì ha gli occhi azzurri" Director: Claudio Giovannesi Cinematographer: Daniele Ciprì Format: HD. Camera: Panasonic AG-AF101. Lenses: Ultra Speed Zeiss 1.3 Production company: Acaba Produzioni Italy 2012

    • Italy
    • Media Production
    • 1 - 100 Employee
    • Camera Operator
      • May 2011 - Jun 2011

      Film: "I più grandi di tutti" Director: Carlo Virzì Cinematographer: Ferran Paredes Format: HD. Camera: Arri Alexa Production company: Indiana Production Italy 2011 Film: "I più grandi di tutti" Director: Carlo Virzì Cinematographer: Ferran Paredes Format: HD. Camera: Arri Alexa Production company: Indiana Production Italy 2011

    • Italy
    • Movies, Videos, and Sound
    • 1 - 100 Employee
    • Camera Operator
      • Mar 2011 - Apr 2011

      Film: "Il paese delle spose infelici" Director: Pippo Mezzapesa Cinematographer: Michele D'Attanasio Format: HD. Camera: Red One MX. Lenses: Zeiss Ultra Prime Production company: Fandango srl Italy 2011 Film: "Il paese delle spose infelici" Director: Pippo Mezzapesa Cinematographer: Michele D'Attanasio Format: HD. Camera: Red One MX. Lenses: Zeiss Ultra Prime Production company: Fandango srl Italy 2011

    • Camera Operator
      • Jun 2010 - Jul 2010

      Film: "Tatanka" Director: Giuseppe Gagliardi Cinematographer: Michele Paradisi Format: 35mm. Camera: Arriflex 535 b Production company: Margherita Film Italy 2010 Film: "Tatanka" Director: Giuseppe Gagliardi Cinematographer: Michele Paradisi Format: 35mm. Camera: Arriflex 535 b Production company: Margherita Film Italy 2010

    • Camera operator: "b" camera, Cinematographer: second unit
      • Jun 2009 - Jun 2009

      Film: "Into Paradiso" Director: Paola Randi Cinematographer: Mario Amura Format: 16mm. Camera: Arriflex SR III Production company: Acaba Produzioni Italy 2009 Film: "Into Paradiso" Director: Paola Randi Cinematographer: Mario Amura Format: 16mm. Camera: Arriflex SR III Production company: Acaba Produzioni Italy 2009

    • Camera Operator
      • May 2009 - Jun 2009

      Film: ”5 (Cinque)” Director: Francesco Dominedò Cinematographer: Michele D'Attanasio Format: HD. Camera: Panasonic AG-HPX500 Production company: Vaderrick Film Italy 2009 Film: ”5 (Cinque)” Director: Francesco Dominedò Cinematographer: Michele D'Attanasio Format: HD. Camera: Panasonic AG-HPX500 Production company: Vaderrick Film Italy 2009

    • Camera Operator
      • Oct 2008 - Nov 2008

      Film: "Good Morning Aman" Director: Claudio Noce Cinematographer: Michele D'Attanasio Format: 35mm. Camera: Arricam LT. Lenses: Zeiss Ultra Prime Production company: DNA Cinematografica Italy 2008 Film: "Good Morning Aman" Director: Claudio Noce Cinematographer: Michele D'Attanasio Format: 35mm. Camera: Arricam LT. Lenses: Zeiss Ultra Prime Production company: DNA Cinematografica Italy 2008

    • Camera Operator
      • Aug 2008 - Aug 2008

      Film: ”Il cacciatore di anatre” Director: Egidio Veronesi Cinematographer: Alessio Valori Format: HD. Camera: Panasonic AG-HPX500 Production company: Novantaseidodici CinemaLine Italy 2008 Film: ”Il cacciatore di anatre” Director: Egidio Veronesi Cinematographer: Alessio Valori Format: HD. Camera: Panasonic AG-HPX500 Production company: Novantaseidodici CinemaLine Italy 2008

  • Mestiere Cinema
    • Various in Brasil
    • Camera Operator
      • Jan 2008 - Feb 2008

      Film: “Daspu.Putas pret a porter “ Director: Valentina Monti Cinematographer: Alessio Valori Format: HD. Camera: AG-HPX171 Production company: Mestiere Cinema Italy 2008 Film: “Daspu.Putas pret a porter “ Director: Valentina Monti Cinematographer: Alessio Valori Format: HD. Camera: AG-HPX171 Production company: Mestiere Cinema Italy 2008

Education

  • Università di Bologna
    Master's degree, lettere e filosofia
    1999 - 2004

Community

You need to have a working account to view this content. Click here to join now