Florian Grond
US and Canada representative at Zylia- Claim this Profile
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English -
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German Native or bilingual proficiency
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French Professional working proficiency
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Bio
Till Bovermann
Florian was my colleague at Bielefeld University in the Ambient Intelligence Research group from 2009 – 2011. Among other things, we collaborated on a project on vocal synthesis in the SuperCollider programming language. It was a joyful experience that included not only development work but also fruitful discussions on both art- and technology-related topics. Furthermore, we jointly lectured at the Q study program of Hamburg City University where we taught a sonification and auditory display course. Florian is an experienced new media artist with a particular talent to identify aspects of technology that are especially valuable in their relevance in artistic contexts. Beyond working with him on practical projects, I appreciated the many discussions we had on situating new media art ideas in the larger scope of creative technologies and artistic productions. Overall, working together with Florian in new media research and teaching was a great experience.
Nina Samuel
I met Florian in 2008, during a conference in Basel while I was working on my doctorate. Ever since, we had many insightful discussions on the cross-section between non-linear dynamical systems and contemporary / new media art. I appreciate Florian's knowledge of the theory of non linear dynamical systems and how he can find pertinent links to issues of contemporary media art. While many of his artistic works are inspired by his scientific background, they all reach beyond a mere illustration of facts and genuinely touch issues related to performativity and representation. In all collaborations, Florian was always open to share and transmit his knowledge and I can recommend him with no restriction for any teaching related position.
Till Bovermann
Florian was my colleague at Bielefeld University in the Ambient Intelligence Research group from 2009 – 2011. Among other things, we collaborated on a project on vocal synthesis in the SuperCollider programming language. It was a joyful experience that included not only development work but also fruitful discussions on both art- and technology-related topics. Furthermore, we jointly lectured at the Q study program of Hamburg City University where we taught a sonification and auditory display course. Florian is an experienced new media artist with a particular talent to identify aspects of technology that are especially valuable in their relevance in artistic contexts. Beyond working with him on practical projects, I appreciated the many discussions we had on situating new media art ideas in the larger scope of creative technologies and artistic productions. Overall, working together with Florian in new media research and teaching was a great experience.
Nina Samuel
I met Florian in 2008, during a conference in Basel while I was working on my doctorate. Ever since, we had many insightful discussions on the cross-section between non-linear dynamical systems and contemporary / new media art. I appreciate Florian's knowledge of the theory of non linear dynamical systems and how he can find pertinent links to issues of contemporary media art. While many of his artistic works are inspired by his scientific background, they all reach beyond a mere illustration of facts and genuinely touch issues related to performativity and representation. In all collaborations, Florian was always open to share and transmit his knowledge and I can recommend him with no restriction for any teaching related position.
Till Bovermann
Florian was my colleague at Bielefeld University in the Ambient Intelligence Research group from 2009 – 2011. Among other things, we collaborated on a project on vocal synthesis in the SuperCollider programming language. It was a joyful experience that included not only development work but also fruitful discussions on both art- and technology-related topics. Furthermore, we jointly lectured at the Q study program of Hamburg City University where we taught a sonification and auditory display course. Florian is an experienced new media artist with a particular talent to identify aspects of technology that are especially valuable in their relevance in artistic contexts. Beyond working with him on practical projects, I appreciated the many discussions we had on situating new media art ideas in the larger scope of creative technologies and artistic productions. Overall, working together with Florian in new media research and teaching was a great experience.
Nina Samuel
I met Florian in 2008, during a conference in Basel while I was working on my doctorate. Ever since, we had many insightful discussions on the cross-section between non-linear dynamical systems and contemporary / new media art. I appreciate Florian's knowledge of the theory of non linear dynamical systems and how he can find pertinent links to issues of contemporary media art. While many of his artistic works are inspired by his scientific background, they all reach beyond a mere illustration of facts and genuinely touch issues related to performativity and representation. In all collaborations, Florian was always open to share and transmit his knowledge and I can recommend him with no restriction for any teaching related position.
Till Bovermann
Florian was my colleague at Bielefeld University in the Ambient Intelligence Research group from 2009 – 2011. Among other things, we collaborated on a project on vocal synthesis in the SuperCollider programming language. It was a joyful experience that included not only development work but also fruitful discussions on both art- and technology-related topics. Furthermore, we jointly lectured at the Q study program of Hamburg City University where we taught a sonification and auditory display course. Florian is an experienced new media artist with a particular talent to identify aspects of technology that are especially valuable in their relevance in artistic contexts. Beyond working with him on practical projects, I appreciated the many discussions we had on situating new media art ideas in the larger scope of creative technologies and artistic productions. Overall, working together with Florian in new media research and teaching was a great experience.
Nina Samuel
I met Florian in 2008, during a conference in Basel while I was working on my doctorate. Ever since, we had many insightful discussions on the cross-section between non-linear dynamical systems and contemporary / new media art. I appreciate Florian's knowledge of the theory of non linear dynamical systems and how he can find pertinent links to issues of contemporary media art. While many of his artistic works are inspired by his scientific background, they all reach beyond a mere illustration of facts and genuinely touch issues related to performativity and representation. In all collaborations, Florian was always open to share and transmit his knowledge and I can recommend him with no restriction for any teaching related position.
Experience
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Zylia
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Poland
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IT Services and IT Consulting
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1 - 100 Employee
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US and Canada representative
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Dec 2019 - Present
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McGill University
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Canada
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Higher Education
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700 & Above Employee
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Research Associate
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Aug 2019 - Present
As a research associate in the School of Music at McGill, I implement workflows for immersive 3D sound recording and reproduction for the studios of the Sound Recording Program.
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affiliate member CIRMMT Centre for Interdisciplinary Research in Music Media and Technology
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Oct 2011 - Present
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Research associate Biosignal Interaction and Personhood Technology (BIAPT) lab at McGill
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Mar 2017 - Jun 2017
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Postdoctoral Fellow
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Apr 2015 - Apr 2016
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McGill University School of Physical & Occupational Therapy
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Canada
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Higher Education
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1 - 100 Employee
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post doctoral fellow
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Jan 2018 - Jun 2019
http://www.moraeslab.com/biapt/ http://www.moraeslab.com/biapt/
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Concordia University
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Canada
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Higher Education
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700 & Above Employee
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Postdoctoral Fellow
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Jun 2014 - Sep 2015
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PhD student
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Jan 2009 - May 2013
In May 2013, I submitted my PhD thesis "Listening-Mode-centered Sonification Design for Data Exploration" defended Dec. 5th 2013 In May 2013, I submitted my PhD thesis "Listening-Mode-centered Sonification Design for Data Exploration" defended Dec. 5th 2013
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tina b
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United States
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Construction
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curator
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2011 - 2011
I curated the German section at the TINA B festival for contemporary Art together with Monika Burian Jourdan. I curated the German section at the TINA B festival for contemporary Art together with Monika Burian Jourdan.
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research trainee
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2010 - 2010
I contributed to the initial prototypes and testing within the ISAS project, an auditory display for the blind, which facilitates the exploration of urban environments. I contributed to the initial prototypes and testing within the ISAS project, an auditory display for the blind, which facilitates the exploration of urban environments.
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McGill Schulich School of Music
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Canada
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Higher Education
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1 - 100 Employee
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guest researcher
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2008 - 2008
Development of an auditory display for the motions of instrumentalists in the Input Devices and Music Interaction Laboratory (IDMIL) headed by Prof. Marcelo Wanderley. Development of an auditory display for the motions of instrumentalists in the Input Devices and Music Interaction Laboratory (IDMIL) headed by Prof. Marcelo Wanderley.
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ZKM Karlsruhe, Center for Art and Media
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Performing Arts
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1 - 100 Employee
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research assistant
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2002 - 2006
Conducted research in the field of nonlinear dynamical systems in an art/science context, in a research group headed by Dr. Hans Diebner. Conducted research in the field of nonlinear dynamical systems in an art/science context, in a research group headed by Dr. Hans Diebner.
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University of Graz
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Research Services
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1 - 100 Employee
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M.Sc.
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1995 - 2001
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Education
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2009 - 2013
Universität Bielefeld
Dr. rer. nat., HCI, auditory display -
1996 - 2002
Karl-Franzens-Universität Graz
M.Sc., Chemistry -
1995 - 2002
Karl-Franzens-Universität Graz
M.Sc., Chemistry -
2001 - 2001
Eberhard-Karls-Universität Tübingen
guest student, Chemistry -
1999 - 2000
De Montfort University
Erasmus exchange student, Chemistry -
1988 - 1994
Sacre Coeur Graz
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