Experience

Theia Studios

• United States
• Computer Games
• 1 - 100 Employee

• Art Director

  • Mar 2022 - Present



个体经营

• Freelancer in concept design

  • Jan 2015 - Present

  character design, prop design, illustration, UI and icon design. character design, prop design, illustration, UI and icon design.



IGG

• Singapore
• Computer Games
• 400 - 500 Employee

• Art consultant Senior

  • Sep 2017 - Feb 2021



英泽数码（Enzel）

• shanghai

• Art Director

  • Apr 2011 - Oct 2013

  I was working as an Art Director (major in character design) at Enzel( an out sourcing company) for almost 3 years. I managed over 14 persons and there are 3 levels of work in my daily work:the design work, the communication work and the management work.I worked with many large and famous company both domestic and overseas companies'such as NC soft(Korea), Tencent(China), NetEase(China) and Sohu(China). I was working as an Art Director (major in character design) at Enzel( an out sourcing company) for almost 3 years. I managed over 14 persons and there are 3 levels of work in my daily work:the design work, the communication work and the management work.I worked with many large and famous company both domestic and overseas companies'such as NC soft(Korea), Tencent(China), NetEase(China) and Sohu(China).



Changyou.com (China)

• China
• Technology, Information and Internet
• 1 - 100 Employee

• Associate Art Director

  • Jun 2010 - Mar 2011

  Game designer in the Deer and the Cauldron Project, responsible for package design of charging characters’ garment and saddle horses as well as important NPC designs. Game designer in the Han-style project “1015”, responsible for package design of characters’ race, garment and saddle horses. Participated in propaganda planning and painting in the projects; conducted direct reporting to CEO of the company. Game designer in the Deer and the Cauldron Project, responsible for package design of charging characters’ garment and saddle horses as well as important NPC designs. Game designer in the Han-style project “1015”, responsible for package design of characters’ race, garment and saddle horses. Participated in propaganda planning and painting in the projects; conducted direct reporting to CEO of the company.