Experience

Theater Regensburg

• Germany
• Performing Arts
• 1 - 100 Employee

• Music Composer

  • Feb 2020 - Present

  Regensburg

• Music Composer

  • Feb 2019 - Feb 2020

  Regensburg, Bayern Julia Prechsl wrote this adaption for theatre of the eponymous movie DIE LETZTE SAU (directed by Aron Lehmann) for theatre which already contained a lot of music from the german band Ton Steine Scherben. But since this play had be staged in relativly small theatre we had to reduce the rock band to a bavarian two man combo consisting of Florian Burgmayr playing accordion, tuba and his incredibly low voice and me playing drums, toy piano, glockenspiel, chromatic kalimba and a police… Show more Julia Prechsl wrote this adaption for theatre of the eponymous movie DIE LETZTE SAU (directed by Aron Lehmann) for theatre which already contained a lot of music from the german band Ton Steine Scherben. But since this play had be staged in relativly small theatre we had to reduce the rock band to a bavarian two man combo consisting of Florian Burgmayr playing accordion, tuba and his incredibly low voice and me playing drums, toy piano, glockenspiel, chromatic kalimba and a police officer. Director: Julia Prechsl



Saarländisches Staatstheater

• 1 - 100 Employee

• Music Composer

  • Feb 2020 - Present

  Saarbrücken


Theater Münster
• Germany
• Entertainment Providers
• 1 - 100 Employee
• Music Composer

  • Nov 2019 - Feb 2020


Staatstheater Darmstadt

• Germany
• Performing Arts
• 1 - 100 Employee

• Music Composer

  • Sep 2019 - Nov 2019

  Darmstadt



Landestheater Schwaben

• Germany
• Performing Arts
• 1 - 100 Employee

• Music Composer

  • Jul 2019 - Sep 2019

  Memmingen, Bayern DIE RÄUBER by Friedrich Schiller marked yet another classical adaptation with a feminist perspective on the story. The songs for that production created a wall-to-wall soundtrack for the whole evening. Director: Julia Prechsl



Theater Dortmund

• Germany
• Performing Arts
• 1 - 100 Employee

• Assistant to Music Composer

  • Jun 2019 - Sep 2019

  Dortmund I assisted the musical director Tommy Finke for this adaptation of Die Möwe by Henrik Ibsen. Tommy Finke's insides into production and writing music for theatre were extremly deep and helpful for my own work. During the rehearsal process I was responsible for the "Live Sampling" of all thirteen actors, which were recorded at all times so text passages from earlier on could be inserted as loops and soundscapes later in the evening. Director: Kay Voges



Deutsches Theater in Göttingen GmbH

• Music Composer

  • Dec 2018 - Jan 2019

  Göttingen, Niedersachsen Since the team decided that one of the "safe rooms" for women is a women's restroom this version of Elfriede Jelinek's PRINZESSINNENDRAMEN took place in precisely that so I recorded a lot of water drops, toilet flushes and everything else you could imagine happening sonically in that environment. Some of those recordings ended up in the music for this play. A second part of this production consisted of a spatial sound installation which I created using Abletons Surround Panner and a lot of… Show more Since the team decided that one of the "safe rooms" for women is a women's restroom this version of Elfriede Jelinek's PRINZESSINNENDRAMEN took place in precisely that so I recorded a lot of water drops, toilet flushes and everything else you could imagine happening sonically in that environment. Some of those recordings ended up in the music for this play. A second part of this production consisted of a spatial sound installation which I created using Abletons Surround Panner and a lot of automation which created a lot of immersion for the audience into the play. Director: Julia Prechsl Show less

• Music Composer

  • Aug 2018 - Sep 2018

  Regensburg, Bayern The adaptation of this classical piece featured a lot of recorded and processed piano as well as recorded guitar and piano session with Thomas Martini Weber, a guitarist and actor in the ensemble, which I then used as natural sonic basement for what became the soundscapes and songs of this production. Director: Julia Prechsl

• Music Composer

  • Jul 2018 - Sep 2018

  Saarbrücken KAFKAS HAUS required a dense, minimalistic soundtrack to embrace the abstract stage design and the mesmerizing, complex stories of Franz Kafka. Director: Laura Linnenbaum



Residenztheater München

• Music Composer

  • Apr 2018 - Jun 2018

  München, Bayern



Staatstheater Nürnberg

• Germany
• Performing Arts
• 1 - 100 Employee

• Music Composer

  • Apr 2018 - May 2018

  Nürnberg, Bayern The core for the music for this play were recorded heart impulses from the actors. They created the beat for that production and led through the whole evening in a lot of different musical variations. Director: Julia Prechsl

• Music Composer

  • Sep 2017 - Oct 2017

  Nürnberg, Bayern The music created for this pieces consists of heavily processed field recordings of crackling ice and water to create an uncertrain environment for actor Julian Keck and the audience. Director: Julia Prechsl



Theaterakademie August Everding

• Germany
• Technology, Information and Internet
• 1 - 100 Employee

• Director

  • Feb 2017 - May 2017

  München, Bayern This production is a collaboration of six dancers, one actor, one author and my music which I created as part of the process. This work was the most collaborative experience I directed as my final project for the Theaterakademie August Everding. It also features a lot machine sounds which were solely recorded in the theatre room the play was created in. The sounds and recordings were then processed and transformed into music the dancers would interact with. Director & Music: Fiete… Show more This production is a collaboration of six dancers, one actor, one author and my music which I created as part of the process. This work was the most collaborative experience I directed as my final project for the Theaterakademie August Everding. It also features a lot machine sounds which were solely recorded in the theatre room the play was created in. The sounds and recordings were then processed and transformed into music the dancers would interact with. Director & Music: Fiete Wachholtz Text: Ulrike Feibig, Fiete Wachholtz & Ensemble

• Music Composer

  • Jan 2017 - Mar 2017

  München, Bayern This play - created by director Blanka Radoczy - featured a lot of field recordings which I transformed to new instruments and distant soundscapes for a surreal artscape. Director: Blanka Radoczy

• Director

  • Nov 2016 - Feb 2017

  München, Bayern For this play I adapted a comic by Alan Moore for theatre which featured three puppeteers from Berlin's Hochschule für Schauspielkunst "Ernst Busch" and a female actor from Munich. From this various sources we condensed a multidimensional theatre experience with a lot of different playing techniques and visual concepts.

• Music Composer

  • Oct 2016 - Dec 2016

  München The first production which involved electronic music production and field recordings to achieve a broader and deeper sound for Julia Prechsl's adaptation of a Shakespearean piece called - in her version - "DIE WIDERSPENSTIGE". Director: Julia Prechsl



Schauspiel Hannover

• Germany
• Performing Arts
• 1 - 100 Employee

• Drummer

  • Jun 2016 - Dec 2016

  Hannover The second time I joined the band of XELL to accompany the theatre play "HOTEL SAVOY" as a drummer. I also assisted the director Sascha Hawemann and Philip Bender, assistant director, of the play to further develop my own directing skills. Director: Sascha Hawemann

• Director

  • Oct 2016 - Nov 2016

  München, Bayern I directed a short play of contemporary author Mohammad Al Attar for "WELT/BÜHNE" - a special format for new literature at the Residenztheater München. The play is called "Und jetzt bitte direkt in die Kamera" Director: Fiete Wachholtz

• Director

  • Feb 2015 - Nov 2015

  München, Bayern As part of my studies for stage and opera directing I created a play from Krzysztof Kieslowskis "DEKALOG" series. This production featured 3D projection realized by Florian Schaumberger (https://www.florianschaumberger.de)

• Drummer

  • Jun 2015 - Jul 2015

  München This marks the first play where I collaborated with the up-andcoming director Julia Prechsl (www.juliaprechsl.com). She directed a play by the munich-based author Franz Xaver Kroetz "DAS NEST" for which we created a soundtrack solely from drums and percussion. Director: Julia Prechsl



Traveler's Diary - Band

• Drummer

  • Jan 2008 - Feb 2015

  Leipzig, Dresden, Berlin We founded this band in the time I studied drums in Berlin and continued working until I moved to Munich. We released two albums along the way, played several tours and recorded a bunch of videos. The music was composed by the amazingly gifted (today known as) Loopmotor / Kid Be Kid.



Kirschroth - Band

• Drummer

  • Jan 2012 - Jan 2015

  Leipzig, Dresden, Berlin Kirschroth was another project of Loopmotor / Kid Be Kid which featured compositions for a larger six-piece ensemble that was a lot more engaged in modern Drum'n'Bass, Progressive music and Trip Hop.



Schauspiel Leipzig

• Germany
• Performing Arts
• 1 - 100 Employee

• Drummer

  • Sep 2012 - Jan 2013

  Leipzig (Stadt), Sachsen I played drums in a band led by XELL for the play "PULVERFASS" at the CENTRALTHEATER Leipzig. Director: Sascha Hawemann



Hochschule für Musik und Theater, Leipzig

• Musicians
• 1 - 100 Employee

• Drummer

  • May 2012 - Jul 2012

  Leipzig (Stadt), Sachsen While I was studying jazz drums at Hochschule für Musik und Theater Leipzig I had the opportunity to play drums in this band created by Christoph Gärtner supporting the play "Sonnenallee". The play was part of the studies of my fellow students of the theatre department. We played a series of entirely sold out shows in the summer of 2012. Director: Olaf Hilliger



Nordharzer Städtebundtheater

• Germany
• Musicians
• 1 - 100 Employee

• Drummer

  • May 2011 - Nov 2011

  Quedlinburg, Sachsen-Anhalt I played live drums in the operette "Im weißen Rössl" which also toured on several dates throughout Germany Director: Rosmarie Vogtenhuber

• Music Composer

  • Oct 2005 - Oct 2005

  Quedlinburg, Sachsen-Anhalt I composed one of the pieces that was used in a dance performance called METALL at the Nordharzer Städtebundtheater in 2005

• Drummer

  • Apr 2002 - May 2002

  Quedlinburg, Sachsen-Anhalt Drummer for a little Operette Band in the Play "Die Drei von der Tankstelle". Director: Matthias Straub