Experience

Serpentine

• United Kingdom
• Museums
• 1 - 100 Employee

• Curator, Arts Technologies

  • Nov 2022 - Present

  As Curator of Arts Technologies I commissions artists working with advanced technologies and collaborate in teams designing novel approaches, workflows and philosophies of emerging tech. During my time at Serpentine I have worked with artists Jenna Sutela, Hito Steyerl, Suzanne Treister, Jakob Kudsk Steensen, Trust, 0rphan Drift, Kite, Keiken, Danielle Brathwaite-Shirley, Libby Heaney, Gabriel Massan and dmstfctn. Within this role, I am also part of the R&D Platform both as Co-I of the Creative AI Lab and also as part of the team producing Future Art Ecosystems (FAE), an annual strategic briefing that provides analytical and conceptual tools for the construction of 21st-century cultural infrastructure: the systems that support art and advanced technologies as a whole, and respond to a broader societal agenda. Show less

• Co-Investigator, Creative AI Lab

  • Jul 2019 - Present

  The Creative AI Lab is a collaboration between Serpentine R&D Platform and the Department of Digital Humanities, King’s College London (headed by Dr. Mercedes Bunz). Our research currently investigates ML tools supporting artistic practices, the changing nature of artistic and curatorial practices as a result of working with AI/ML, Creative AI as a critical practice, and the Aesthetics of AI/ML. Partners on the Lab include the NYU Digital Theory Lab, Rhizome, New Museum, New York and Maggie Roberts/0rphan Drift, and Etic Lab ISCRI Project. Show less

• Arts Technologies Curator and Department Lead (maternity cover)

  • May 2022 - Nov 2022

• Curator, Arts Technologies

  • Dec 2021 - May 2022

• Associate Curator, Arts Technologies

  • Dec 2020 - Nov 2021

• Assistant Curator, Arts Technologies

  • Jun 2018 - Oct 2020



[Studio] Legrand Jäger

• London, United Kingdom and Berlin, Germany

• Artistic practice

  • May 2015 - Present

  We (Eva Jäger and Guillemette Legrand) research emerging applications of computation/information technologies (emotional recognition, movement recognition, natural language processing, etc.), using performance, film and large tech-integrated objects and installations as a way of diagramming the belief systems they create. We investigate the antagonistic discourse within which ‘technology’ is defined by culture—navigating conspiratorial theories, provisional patents and legislation—to reimagine the machine gaze and build new machine learning interfaces. We have a background in fine art, design, textile R&D and creative AI R&D. Show less



the Design Museum

• United Kingdom
• Museums, Historical Sites, and Zoos
• 100 - 200 Employee

• Designer in Residence

  • Apr 2018 - Mar 2019