Dara Kendall
Music Consultant at creative control Entertainment- Claim this Profile
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Topline Score
Bio
Paul Fleschner
I am very pleased to recommend Dara Wedler. Her enthusiastic support for the musical aspect of Super Giant Robot Brothers will have a lasting impact on the series, because Dara was pivotal in our search for the right songwriters for the main title and end theme music, as well as her ongoing constructive and tactful notes for the original score on every episode. Dara knows when to dig in and do the work required to deliver something great, such as her relentless effort to find us the absolute best songwriters for the show. She also knows when to be sparing with her notes and commentary, and not get in the way of creative work that is happening. Over many months she was consistently helpful but not overbearing in her comments to our composer, simply offering her own highly attuned musical ear with selective notes. And, she never gave notes just for the sake of giving notes; she also applauds creativity and celebrates with the team when the music is working well. Overall, she just wants the best music for the show, and I found her to be very practical and pragmatic in her pursuit of helping the filmmakers accomplish their musical aspirations for the content. It was a pleasure to go with her on the
Dan Siegel
I’ve never written a LinkedIn recommendation before, and I’m glad to be starting with Dara. I was fortunate enough to work with Dara at Disney TV Animation where we collaborated on songs for the short-form series,
Paul Fleschner
I am very pleased to recommend Dara Wedler. Her enthusiastic support for the musical aspect of Super Giant Robot Brothers will have a lasting impact on the series, because Dara was pivotal in our search for the right songwriters for the main title and end theme music, as well as her ongoing constructive and tactful notes for the original score on every episode. Dara knows when to dig in and do the work required to deliver something great, such as her relentless effort to find us the absolute best songwriters for the show. She also knows when to be sparing with her notes and commentary, and not get in the way of creative work that is happening. Over many months she was consistently helpful but not overbearing in her comments to our composer, simply offering her own highly attuned musical ear with selective notes. And, she never gave notes just for the sake of giving notes; she also applauds creativity and celebrates with the team when the music is working well. Overall, she just wants the best music for the show, and I found her to be very practical and pragmatic in her pursuit of helping the filmmakers accomplish their musical aspirations for the content. It was a pleasure to go with her on the
Dan Siegel
I’ve never written a LinkedIn recommendation before, and I’m glad to be starting with Dara. I was fortunate enough to work with Dara at Disney TV Animation where we collaborated on songs for the short-form series,
Paul Fleschner
I am very pleased to recommend Dara Wedler. Her enthusiastic support for the musical aspect of Super Giant Robot Brothers will have a lasting impact on the series, because Dara was pivotal in our search for the right songwriters for the main title and end theme music, as well as her ongoing constructive and tactful notes for the original score on every episode. Dara knows when to dig in and do the work required to deliver something great, such as her relentless effort to find us the absolute best songwriters for the show. She also knows when to be sparing with her notes and commentary, and not get in the way of creative work that is happening. Over many months she was consistently helpful but not overbearing in her comments to our composer, simply offering her own highly attuned musical ear with selective notes. And, she never gave notes just for the sake of giving notes; she also applauds creativity and celebrates with the team when the music is working well. Overall, she just wants the best music for the show, and I found her to be very practical and pragmatic in her pursuit of helping the filmmakers accomplish their musical aspirations for the content. It was a pleasure to go with her on the
Dan Siegel
I’ve never written a LinkedIn recommendation before, and I’m glad to be starting with Dara. I was fortunate enough to work with Dara at Disney TV Animation where we collaborated on songs for the short-form series,
Paul Fleschner
I am very pleased to recommend Dara Wedler. Her enthusiastic support for the musical aspect of Super Giant Robot Brothers will have a lasting impact on the series, because Dara was pivotal in our search for the right songwriters for the main title and end theme music, as well as her ongoing constructive and tactful notes for the original score on every episode. Dara knows when to dig in and do the work required to deliver something great, such as her relentless effort to find us the absolute best songwriters for the show. She also knows when to be sparing with her notes and commentary, and not get in the way of creative work that is happening. Over many months she was consistently helpful but not overbearing in her comments to our composer, simply offering her own highly attuned musical ear with selective notes. And, she never gave notes just for the sake of giving notes; she also applauds creativity and celebrates with the team when the music is working well. Overall, she just wants the best music for the show, and I found her to be very practical and pragmatic in her pursuit of helping the filmmakers accomplish their musical aspirations for the content. It was a pleasure to go with her on the
Dan Siegel
I’ve never written a LinkedIn recommendation before, and I’m glad to be starting with Dara. I was fortunate enough to work with Dara at Disney TV Animation where we collaborated on songs for the short-form series,
Experience
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creative control Entertainment
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United States
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Entertainment Providers
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1 - 100 Employee
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Music Consultant
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Apr 2022 - Present
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Netflix
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United States
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Entertainment Providers
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700 & Above Employee
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Music Creative and Production Executive
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Feb 2021 - Apr 2022
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The Walt Disney Company
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United States
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Entertainment Providers
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700 & Above Employee
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Manager - TV Animation Music, Creative and Production
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Nov 2011 - Feb 2021
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20th Century Studios
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United States
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Media Production
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700 & Above Employee
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Fox TV Music Clearance
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May 2010 - Nov 2011
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Format Entertainment
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United States
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Entertainment
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1 - 100 Employee
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Music Intern
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Jan 2010 - May 2010
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creative control Entertainment
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United States
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Entertainment Providers
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1 - 100 Employee
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Music Coordinator
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May 2009 - May 2010
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Warner Bros. Entertainment
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United States
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Entertainment Providers
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700 & Above Employee
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Intern - Warner Bros. Pictures, Music
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Jan 2009 - May 2009
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Education
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2004 - 2009
California State University, Northridge Mike Curb College of Arts, Media, and Communication
Bachelor of Music, Film Scoring & Songwriting
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