Visual Storyteller

• May 2021 - Present

As a Video Editor/Visual Storyteller, you are provided a script for a short-form, documentary-style video and an accompanying voiceover, and are responsible for developing visual stories from concept to execution, including researching archival stock assets, sound design, soundtrack, final edit, and rendering. As a Video Editor/Visual Storyteller, you are provided a script for a short-form, documentary-style video and an accompanying voiceover, and are responsible for developing visual stories from concept to execution, including researching archival stock assets, sound design, soundtrack, final edit, and rendering.

Editor de vídeo

• Mar 2020 - May 2021

1st AD

• Sep 2020 - Sep 2020

I maintained the position of 1st AD in the short film "El Instante" directed by Daniel Vega and Manuel Medina. There, I coordinated production processes, established contact and agreements with the different locations, ensured the best creative work of department heads and worked within the established production times. I maintained the position of 1st AD in the short film "El Instante" directed by Daniel Vega and Manuel Medina. There, I coordinated production processes, established contact and agreements with the different locations, ensured the best creative work of department heads and worked within the established production times.

Boom operator

• Sep 2019 - Feb 2020

Art assistant

• Mar 2019 - Apr 2019

I worked as an art assistant in the production of the feature film "El rey de todo el mundo". In this I developed a high sense of aesthetics and narrative, as well as the ability to effectively solve logistics problems, due to unforeseen events, in a short time and under high pressure; looking for the correct realization of the final product. I carried out the construction of sets and props, managing the needs of Product Placement and functional use of the props. I worked as an art assistant in the production of the feature film "El rey de todo el mundo". In this I developed a high sense of aesthetics and narrative, as well as the ability to effectively solve logistics problems, due to unforeseen events, in a short time and under high pressure; looking for the correct realization of the final product. I carried out the construction of sets and props, managing the needs of Product Placement and functional use of the props.

Mezcal Prize's Jury

• Mar 2019 - Mar 2019

During the 34th edition of the International Film Festival in Guadalajara, I worked as a jury in the category of the Mezcal Prize. My job was to watch, evaluate and discuss feature films in this category, taking into account narrative and technical values in photography, script, art and sound design. This experience allowed me to connect with fellow filmmakers from around the world and broaden my vision of cinema by contrasting it with different perspectives. During the 34th edition of the International Film Festival in Guadalajara, I worked as a jury in the category of the Mezcal Prize. My job was to watch, evaluate and discuss feature films in this category, taking into account narrative and technical values in photography, script, art and sound design. This experience allowed me to connect with fellow filmmakers from around the world and broaden my vision of cinema by contrasting it with different perspectives.

Internship Trainee

• Nov 2018 - Nov 2018

I participated in the recording of the first season of the series "Monarca" in Tequila, Jalisco, produced by Salma Hayek for the streaming company Netflix, there I supported in the departments of production and wardrobe, in which I manage the logistics of extras in public filming and special situations of costumes in the set. I participated in the recording of the first season of the series "Monarca" in Tequila, Jalisco, produced by Salma Hayek for the streaming company Netflix, there I supported in the departments of production and wardrobe, in which I manage the logistics of extras in public filming and special situations of costumes in the set.