Catherine Sutton
Head of Programme: Education at Paul Hamlyn Foundation- Claim this Profile
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Bio
Catherine Rose
I've been lucky enough to work literally alongside Catherine during my time as Co-Director of Arts Inform and now, on a freelance basis, as Research Consultant. She's astonishingly brainy and has a wonderfully analytical mind as well as deep knowledge of and commitment to high quality arts education for all. She's an excellent colleague and has great people skills too - facilitating a conference session, in meetings or working out a research brief one-to-one. This may sound like a cliché, but it's a privilege and a pleasure to work with her.
Catherine Rose
I've been lucky enough to work literally alongside Catherine during my time as Co-Director of Arts Inform and now, on a freelance basis, as Research Consultant. She's astonishingly brainy and has a wonderfully analytical mind as well as deep knowledge of and commitment to high quality arts education for all. She's an excellent colleague and has great people skills too - facilitating a conference session, in meetings or working out a research brief one-to-one. This may sound like a cliché, but it's a privilege and a pleasure to work with her.
Catherine Rose
I've been lucky enough to work literally alongside Catherine during my time as Co-Director of Arts Inform and now, on a freelance basis, as Research Consultant. She's astonishingly brainy and has a wonderfully analytical mind as well as deep knowledge of and commitment to high quality arts education for all. She's an excellent colleague and has great people skills too - facilitating a conference session, in meetings or working out a research brief one-to-one. This may sound like a cliché, but it's a privilege and a pleasure to work with her.
Catherine Rose
I've been lucky enough to work literally alongside Catherine during my time as Co-Director of Arts Inform and now, on a freelance basis, as Research Consultant. She's astonishingly brainy and has a wonderfully analytical mind as well as deep knowledge of and commitment to high quality arts education for all. She's an excellent colleague and has great people skills too - facilitating a conference session, in meetings or working out a research brief one-to-one. This may sound like a cliché, but it's a privilege and a pleasure to work with her.
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Experience
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Paul Hamlyn Foundation
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United Kingdom
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Philanthropy
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1 - 100 Employee
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Head of Programme: Education
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Oct 2016 - Present
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Senior Grants Manager, Arts Access and Participation
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Oct 2015 - Sep 2016
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Freelance
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Egypt
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Human Resources
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1 - 100 Employee
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Consultant: Cultural Learning and Engagement
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Apr 2013 - Present
Projects: April 13 - July 15. Evaluation of the Family Arts Campaign, a major audience development initiative involving over 900 arts organisations. In association with Catherine Rose's Office Ltd. Feb-Sep 15. Evaluation of LSO Discovery 'Take A Bow' Jan - July 14. Impact Assessment in the Arts Education Sector. Devising and delivering a series of seminars for 14 cultural organisations in the Eastern region, commissioned by the Royal Opera House Bridge April - July 14… Show more Projects: April 13 - July 15. Evaluation of the Family Arts Campaign, a major audience development initiative involving over 900 arts organisations. In association with Catherine Rose's Office Ltd. Feb-Sep 15. Evaluation of LSO Discovery 'Take A Bow' Jan - July 14. Impact Assessment in the Arts Education Sector. Devising and delivering a series of seminars for 14 cultural organisations in the Eastern region, commissioned by the Royal Opera House Bridge April - July 14. Evaluation of 'On a Good Day', a project delivered by Live Music Now in the mental health sector April - Oct 13 A New Direction. Impact Assessment in the Arts Education Sector. Devising and delivering an enquiry project exploring current impact assessment practice with seven major arts and cultural organisations. Outcome: http://www.arts-impact-measurement.co.uk/ Recent clients and projects include: A New Direction Trinity College London: Evaluation of Artsmark Rounds 13 and 14 Live Music Now National Theatre Show less Projects: April 13 - July 15. Evaluation of the Family Arts Campaign, a major audience development initiative involving over 900 arts organisations. In association with Catherine Rose's Office Ltd. Feb-Sep 15. Evaluation of LSO Discovery 'Take A Bow' Jan - July 14. Impact Assessment in the Arts Education Sector. Devising and delivering a series of seminars for 14 cultural organisations in the Eastern region, commissioned by the Royal Opera House Bridge April - July 14… Show more Projects: April 13 - July 15. Evaluation of the Family Arts Campaign, a major audience development initiative involving over 900 arts organisations. In association with Catherine Rose's Office Ltd. Feb-Sep 15. Evaluation of LSO Discovery 'Take A Bow' Jan - July 14. Impact Assessment in the Arts Education Sector. Devising and delivering a series of seminars for 14 cultural organisations in the Eastern region, commissioned by the Royal Opera House Bridge April - July 14. Evaluation of 'On a Good Day', a project delivered by Live Music Now in the mental health sector April - Oct 13 A New Direction. Impact Assessment in the Arts Education Sector. Devising and delivering an enquiry project exploring current impact assessment practice with seven major arts and cultural organisations. Outcome: http://www.arts-impact-measurement.co.uk/ Recent clients and projects include: A New Direction Trinity College London: Evaluation of Artsmark Rounds 13 and 14 Live Music Now National Theatre Show less
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National Foundation for Youth Music
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United Kingdom
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Education Administration Programs
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Grants Assessor
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2013 - Present
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Trinity College London
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United Kingdom
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Education Administration Programs
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400 - 500 Employee
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Artsmark Validator
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Jan 2012 - Mar 2015
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Arts Inform
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Public Relations and Communications Services
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Director
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Oct 2009 - Mar 2013
Managing a portfolio of research, evaluation and work-related learning projects. Clients included A New Direction, Youth Music, CCSkills, Brighter Sound, Ideas Tap, Royal Institute of British Architects Managing a portfolio of research, evaluation and work-related learning projects. Clients included A New Direction, Youth Music, CCSkills, Brighter Sound, Ideas Tap, Royal Institute of British Architects
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English National Opera
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United Kingdom
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Performing Arts
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100 - 200 Employee
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Head of ENO Baylis
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2003 - 2009
Leadership of ENO's Learning and Participation Department. Highlights: producing works for non-professional performers on the main stage, commissioning numerous new works, audience development initiatives, wide-ranging programme for the formal education sector, development of online programme ENO interactive. Managing team of six staff Leadership of ENO's Learning and Participation Department. Highlights: producing works for non-professional performers on the main stage, commissioning numerous new works, audience development initiatives, wide-ranging programme for the formal education sector, development of online programme ENO interactive. Managing team of six staff
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Southbank Centre
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United Kingdom
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Performing Arts
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200 - 300 Employee
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Performing Arts Education Officer
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1993 - 2002
Devising, programming and managing the music education programme and additional education projects in dance and literature. Highlights: numerous commissions for non-professional performers from composers including James MacMillan, Mark AnthonyTurnage, Gerald Barry; producing interpretative materials including publications, films, websites, exhibitions; year-long project for the British Council in Estonia Devising, programming and managing the music education programme and additional education projects in dance and literature. Highlights: numerous commissions for non-professional performers from composers including James MacMillan, Mark AnthonyTurnage, Gerald Barry; producing interpretative materials including publications, films, websites, exhibitions; year-long project for the British Council in Estonia
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Education
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University of Sussex
Master of Arts (MA), Music -
University of York
Bachelor of Arts (BA), Music