Experience

Playground Games

• United Kingdom
• Computer Games
• 300 - 400 Employee

• Senior Audio Designer

  • May 2023 - Present

• Audio Designer

  • Oct 2019 - Apr 2023

  Fable



Ubisoft

• France
• Computer Games
• 700 & Above Employee

• Audio Designer

  • Nov 2018 - Sep 2019

  Far Cry New Dawn Far Cry 6 Far Cry New Dawn Far Cry 6



PlayStation

• Entertainment Providers
• 1 - 100 Employee

• Sound Designer (Contract)

  • Oct 2018 - Nov 2018

  Blood and Truth. Blood and Truth.



Suite Ltd

• United Kingdom
• Media Production
• 1 - 100 Employee

• Dubbing Mixer

  • Nov 2014 - Oct 2017

  Using Pro Tools my day to day tasks include tracklaying, sound effects editing, creating sound design elements, recording and editing, running VO/ADR sessions, creating and importing AAF’s, location sound effect recording and file management. Occasional mixing to EBUR128 standard loudness levels and 5.1 mixing. Trained on Avid System 5, Artist Mix and Control Series. Using Pro Tools my day to day tasks include tracklaying, sound effects editing, creating sound design elements, recording and editing, running VO/ADR sessions, creating and importing AAF’s, location sound effect recording and file management. Occasional mixing to EBUR128 standard loudness levels and 5.1 mixing. Trained on Avid System 5, Artist Mix and Control Series.



Canterbury Christ Church University

• United Kingdom
• Higher Education
• 700 & Above Employee

• Sound Designer

  • Jan 2014 - Nov 2014

  Short term internship for Canterbury Christ Church University. I am responsible for the recording, editing, mixing, mastering and cataloguing a series of concerts for a organs and electronics specific tour throughout the UK. We used a number of stereo portable recorders (Zoom, Tascam, Olympus) to capture the performances as well as the room ambience itself. Once the tour was completed I edited the recordings to polish them ready for physical release on a record label. This included using Izotopes RX3 for noise reduction, Logic X for audio editing, EQing and mastering, and Spear for removing audience noise. Once all of this data was processed I archived it all using SoundMiner and an excel spreadsheet. I also wrote a composition for the organist where I recorded the tone of a room with a Sound Field SPS422B microphone, using mid/side recording. I then processed this ambience so it morphed into experimental textures, and then wrote organ parts or accompany this. Show less



I Killed Kenny

• Music Producer/DJ

  • Jan 2010 - Jun 2014

  Self-managed DJ & production outfit established within the UK’s underground music scene. Notable achievements include: national airplay via major broadcasters such as Radio 1 & 1Xtra, performances at various venues & festivals including Glastonbury 2013, record placement in-store nationwide with River Island and JD. Self-managed DJ & production outfit established within the UK’s underground music scene. Notable achievements include: national airplay via major broadcasters such as Radio 1 & 1Xtra, performances at various venues & festivals including Glastonbury 2013, record placement in-store nationwide with River Island and JD.