Experience

St Martin-in-the-Fields, London

• United Kingdom
• Museums, Historical Sites, and Zoos
• 1 - 100 Employee

• The Voices

  • Sep 2017 - Present

  London, United Kingdom

• Choral Scholar

  • Sep 2017 - Jul 2018

  London, United Kingdom



EGERTON ROTHESAY

• United Kingdom
• Primary and Secondary Education
• 1 - 100 Employee

• Voice Teacher

  • Sep 2020 - Present

  Berkhamsted, England, United Kingdom



italki

• Spain
• Internet Marketplace Platforms
• 700 & Above Employee

• English Language Teacher

  • Apr 2020 - Present



The Casting Collective

• United Kingdom
• Movies, Videos, and Sound
• 100 - 200 Employee

• Background Artist

  • Jun 2017 - Present

  London, England, United Kingdom



The Misbourne

• United Kingdom
• Education Administration Programs
• 1 - 100 Employee

• Voice Teacher

  • Sep 2018 - Present

  England, United Kingdom



Sargent and Plester School of Dance

• Singing Teacher

  • Nov 2017 - Present

  Chesham



Self-employed

• Private Singing Teacher

  • Sep 2016 - Present

  Manchester, United Kingdom



Self Employed

• Freelance Soprano

  • Sep 2016 - Present



PHILHARMONIA CHORUS LIMITED

• Soprano

  • Jan 2018 - Apr 2019

  London, United Kingdom



MusicMaps

• Classroom Music Teacher

  • Sep 2017 - Jul 2018

  London, United Kingdom



Icosa Choir

• United Kingdom
• Music

• Soprano & Choir Administrator

  • Mar 2016 - Apr 2018

  London, United Kingdom



Footlights Theatre School & Academy Ltd

• United Kingdom
• Entertainment Providers
• 1 - 100 Employee

• Singing Teacher

  • Sep 2016 - Dec 2016

  Cheadle



Streetwise Opera

• United Kingdom
• Performing Arts
• 1 - 100 Employee

• Volunteer Steward for The Passion

  • Mar 2016 - Mar 2016

  Manchester, United Kingdom Streetwise Opera is an award-winning charity that uses music to help homeless people make positive changes in their lives. I was lucky to be part of something that changes people’s lives through music, at a time when numbers of homeless people in Manchester are higher than ever.



Mysterious 44 (Opera)

• Assistant Director

  • Nov 2015 - Jan 2016

  Manchester Mysterious 44 is a new opera with electronic score, written by Kevin Malone and directed by Caroline Clegg. I supervised the cast by taking blocking notes in rehearsals and delivered them back to the team, which improved overall efficiency of rehearsals. I also supported in musical rehearsals and took a lead role in guiding other singers through the challenging music, all of which was pre-recorded. This level of dedication and leadership encouraged everyone to stay motivated, and perform to the… Show more Mysterious 44 is a new opera with electronic score, written by Kevin Malone and directed by Caroline Clegg. I supervised the cast by taking blocking notes in rehearsals and delivered them back to the team, which improved overall efficiency of rehearsals. I also supported in musical rehearsals and took a lead role in guiding other singers through the challenging music, all of which was pre-recorded. This level of dedication and leadership encouraged everyone to stay motivated, and perform to the best of their ability. Show less



Manchester University Music Society

• Musicians
• 1 - 100 Employee

• Director of Handel's Opera 'Acis & Galatea'

  • Nov 2014 - Jan 2015

  Manchester, United Kingdom I interviewed to be the director of Handel’s Acis and Galatea and was successful in getting the role. During rehearsals I had to consider the vocal health of singers to ensure they would be healthy for the performances. I liaised with the Musical Director about the vision of the opera and considered how the music and drama would intertwine. The vision I devised used physical and immersive theatre and choreography. I worked with cast and chorus members to release their inhibitions on these… Show more I interviewed to be the director of Handel’s Acis and Galatea and was successful in getting the role. During rehearsals I had to consider the vocal health of singers to ensure they would be healthy for the performances. I liaised with the Musical Director about the vision of the opera and considered how the music and drama would intertwine. The vision I devised used physical and immersive theatre and choreography. I worked with cast and chorus members to release their inhibitions on these aspects. I blocked the opera in 3 weeks and shaped and honed the performances of the cast. The opera was performed twice and it was a successful production. Show less



MUGSS

• Director 'The Mikado'

  • Sep 2013 - Mar 2014

  Manchester This was my first major role as a director in which I managed and led a team of around 70 people. As well as blocking the show, I coached the singers in their musical performances which improved their sound considerably. It was rewarding to see the finished result after the hours of hard work put in to make it a success.



Warner Bros. Entertainment

• United States
• Entertainment Providers
• 700 & Above Employee

• Extra in Harry Potter and the Deathly Hallows Part II

  • Mar 2010 - Apr 2010

  Watford, United Kingdom