Experience

Mission.org

• United States
• Media Production
• 1 - 100 Employee

• Head of Podcast Audio & Sound Design

  • Aug 2019 - Present

  Work alongside producers and writers to create, edit, mix and design the sound of podcast episodes, advertisements, episode promos, social media marketing and other short and long form content to a high standard of quality. Maintain post-production best practices and develop new processes. Work in harmony with multiple team members under strict deadlines. Manage a team of audio engineers, training and developing elite audio best practices. ● Edit and create various audio and podcast landscapes from scratch, including narrative shows and interview style shows. Create and design custom trailers and audiograms for social. ● Oversee all sound design for our narrative and interview style podcasts. ● Create audio trailers for episodes and shows from concept to final mix. ● Collaborate with Mission producers to develop new podcast ideas and advertising content for clients and partners. ● Oversee sound design & source and mix music for all podcasts, including various Mission marketing efforts including social media content, awards submissions, trailers, etc. ● Source music for use in ads, marketing content, and podcast episodes. ● Oversee a team of audio engineers to create and implement workflow procedures and best practices for all aspects of podcast production.



Mood Media

• United States
• Technology, Information and Media
• 700 & Above Employee

• Music Designer & Customer Experience

  • Nov 2015 - Aug 2019

• Dispatch Coordinator

  • Mar 2014 - Nov 2016



Archaic Cannon Records

• Director of Artist Community/Social Media Coordinator/Project Coordinator/Blog Contributor

  • Mar 2012 - Sep 2013

  - Coordinate all aspects of social media within each band/artist and serve as supervisor. - Attend, coordinate and make recommendations for improvements on all campaigns, concerts, and other community events where Archaic Cannon is a participant. - Advise and research other artist communities and programs where Archaic Cannon could participate to increase opportunities and exposure. - Create, edit and arrange the text, video, audio, images and other materials that may be included on Archaiccannon.com. - Manage content, defining and maintaining the character of archaiccannon.com. - Content editor. - Manage social media platforms. - Increase Twitter followers by almost 200%. - Increase Facebook “Likes” by 25%. - Develop relationships directly with artists, scout and research new artists, songwriters, and producers, review demo submissions, cover shows, coordinate detailed A&R research reports and carry out other scouting projects. - Ensures that both the artist and Archaic Cannon have a clear understanding of the logistics and business details of an event or promotion. - Develops creative and innovative strategies for utilizing Archaic Cannon's relationship with an artist. - Oversee and direct multiple interns and writers for www.archaiccannon.com.

• Customer Satisfaction Rep

  • 2012 - 2013

Powell Consulting
• Real Estate
• 1 - 100 Employee
• CEO

  • Jan 2012 - Mar 2012


Princess Cruises

• United States
• Travel Arrangements
• 700 & Above Employee

• Music Services Coordinator

  • Aug 2007 - Jun 2011

  ‐ Defined corporate objectives and then executed organizational strategy for all music used aboard Princess Cruises fleet, based in ports all over the world. -­‐ Created custom music brand strategies to enhance the Princess image and improve the passenger experience. -­‐ Designed and managed genre-­‐ based programs for the on-­‐ board music catalog. -­‐ Researched music trends in multiple markets around the world to ensure passenger satisfaction. -­‐ Designed and managed changes fleet-­‐wide for music programs and catalog based on itinerary. -­‐ Led music services team to coordinate background music campaigns across the fleet based on demographic study. -­‐ Wrote project proposals and budgets to determine proper hardware needed for each vessel; included funding and shipping requirements, installation procedures, and background music channels' delivery. -­‐ Developed and implemented effective, high-­‐impact programs using a wide spectrum of data, marketing tools, best practices, and personnel management tools. -­‐ Managed cross-­‐functional objectives to create cost-­‐effective technology solutions along with domestic and foreign agencies, contractors, music technology executives, and owners. -­‐ A leader in using technology to improve the passenger experience by delivering projects on time, such as policies and project management techniques, custom playlists, and themed events. Accomplishments -­‐ “I Make The Difference” Award winner, 2009 for development of three core musical identities of Princess Cruises: “Positive & Upbeat, Relaxed & Carefree, and Comfortably International.” -­‐ Increased the talent of disc jockeys while cutting salaries by as much as 50%. -­‐ Improved disc jockey retention by over 75%. -­‐ Assisted in developing musical identities for the Princess brand, as well as boutiques, special events, and corporate gatherings. -­‐ Sourced, edited, & sequenced over 100 specialty playlists using Cubase & Pro Tools for delivery all over the world.



Mastersound Studios

• United Kingdom
• Entertainment Providers

• Recording Engineer

  • Dec 2006 - May 2007

  ‐ Managed operations, scheduling, and development procedures for all recording applications, including computer software, hardware, computer technology, and outboard processors. -­‐ Oversaw and executed recording and tracking processes using software such as Pro Tools 8, Drumagog, Waves Mercury, Melodyne, and Reason 4 using a variety of sound processors and operating systems. -­‐ Managed office procedures using Microsoft Office Suite to streamline workflow and A/P. Accomplishments -­‐ Increased studio revenue by convincing bands to record with Mastersound; one band flew to Virginia Beach from Santa Rosa, CA for a 5-­‐song demo. -­‐ Designed an artist friendly lounge area where musicians could relax and prepare for the recording process.



Emmis Communications

• United States
• Broadcast Media Production and Distribution
• 1 - 100 Employee

• Flava Unit/Promotions

  • 2006 - 2007

  -­‐ Represented the face of the station in venues across Southern California. -­‐ Managed special events from planning to set-­‐up and execution; served as events personality. -­‐ Represented the face of the station in venues across Southern California. -­‐ Managed special events from planning to set-­‐up and execution; served as events personality.



Radio Recorders

• United States
• Entertainment Providers

• Recording Intern

  • May 2006 - Oct 2006

  -­‐ Coordinated and assisted musicians and engineers with digital audio equipment in recording sessions, including all sound production, hardware and software. -­‐ Managed operations such as clerical and office duties, data entry, payments, and digital files. -­‐ Coordinated and assisted musicians and engineers with digital audio equipment in recording sessions, including all sound production, hardware and software. -­‐ Managed operations such as clerical and office duties, data entry, payments, and digital files.


Coffee Kiosk
• United States
• Food and Beverage Services
• 1 - 100 Employee
• Shift Lead

  • 2004 - 2006

Quannum Records/Solesides Records
• Freelance Promotions

  • 2003 - 2005

Warner Bros. Records
• Freelance Promotions

  • 2003 - 2004